The Cambridge Companion to William Blake 2003
DOI: 10.1017/ccol0521781477.005
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Blake as a painter

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“… See: Damon (1963), Essick and Paley (1982), Erle (2017), Butlin (2002), Bindman (2003), Bentley (2001), etc. …”
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confidence: 99%
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“… See: Damon (1963), Essick and Paley (1982), Erle (2017), Butlin (2002), Bindman (2003), Bentley (2001), etc. …”
mentioning
confidence: 99%
“…A similar thing had happened before, when he was illustrating Young's Night Thoughts (1795–1797) and the poems by Thomas Gray (1797–1798). Blake's design for Young's Night Thoughts is, according to David Bindman (2003, p. 95), “Blake's first attempt to make illustrations act as a commentary that ‘corrects’ the text.” On another side, in his research of Blake's illustrations of the poems of another Graveyard poet, Thomas Gray, the scholar Lussier shares similar views. He applied Lacan's psychoanalitical theory, claiming that through his design, Blake had “deconstructedˮ Gray's poem (Lussier, 1989, p. 206).…”
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confidence: 99%