Abstract:Footwork is one of the basic features of flamenco dancing and is performed in traditional high-heeled shoes. The purpose of this study was to analyse the mechanical profile of flamenco dancing in terms of vertical ground reaction force, and knee joint kinematics of the supporting limb in footwork technique in order to understand causes which predispose injuries derived from the practice of flamenco dancing. The participant in our study was a professional female flamenco dancer (34 years, 58 kg, 1.65 m) who per… Show more
“…These are practices that are currently observed in sports with high injury incidence. One of the main contributions of this biomechanical study was the involvement of six professional flamenco dancers, while a previous study analyzed the case of professional flamenco dancers with only one participant, as a case study [13,15,36]. The second contribution was the comparison between the professional and amateur groups, which allowed the assessment of the association between technical progression and biomechanical variables.…”
Section: Discussionmentioning
confidence: 99%
“…Therefore, practicing the required footwork in flamenco may cause chronic repetitive pain and injuries of the feet, knees and spine, mainly at the lumbar and cervical levels [4,[7][8][9][10][11][12]. Previous studies regarding flamenco's technical movements have focused on analyzing them from the perspective of electromyography, kinematics and epidemiology [9,[13][14][15]. However, questionnaires and labor-intensive methods were often used in these studies.…”
The intense footwork required in flamenco dance may result in pain and injury. This study aimed to quantify the external load of the flamenco Zapateado-3 (Zap-3) footwork via triaxial accelerometry in the form of PlayerLoad (PL), comparing the difference in external loads at the fifth lumbar vertebra (L5), the seventh cervical vertebra (C7) and the dominant ankle (DA), and to explore whether the speed, position, axis and proficiency level of the flamenco dancer affected the external load. Twelve flamenco dancers, divided into professional and amateur groups, completed a 15-s Zap-3 footwork routine at different speeds. Triaxial accelerometry sensors were positioned at the DA, L5 and C7 and were utilized to calculate the total PlayerLoad (PLTOTAL), uniaxial PlayerLoad (PLUNI) and uniaxial contributions (PL%). For both PLTOTAL and PLUNI, this study identified significant effects of speed and position (p < 0.001), as well as the interaction between speed and position (p ≤ 0.001), and at the DA, values were significantly higher (p < 0.001) than those at C7 and L5. Significant single axis and group effects (p < 0.001) and effects of the interactions between the position and a single axis and the group and speed (p ≤ 0.001) were also identified for PLUNI. Medial-lateral PL% represented a larger contribution compared with anterior-posterior PL% and vertical PL% (p < 0.001). A significant interaction effect of position and PL% (p < 0.001) also existed. In conclusion, the Zap-3 footwork produced a significant external load at different positions, and it was affected by speed, axis and the proficiency level of the flamenco dancer. Although the ankle bears the most external load when dancing the flamenco, some external load caused by significant vibrations is also borne by the lumbar and cervical vertebrae.
“…These are practices that are currently observed in sports with high injury incidence. One of the main contributions of this biomechanical study was the involvement of six professional flamenco dancers, while a previous study analyzed the case of professional flamenco dancers with only one participant, as a case study [13,15,36]. The second contribution was the comparison between the professional and amateur groups, which allowed the assessment of the association between technical progression and biomechanical variables.…”
Section: Discussionmentioning
confidence: 99%
“…Therefore, practicing the required footwork in flamenco may cause chronic repetitive pain and injuries of the feet, knees and spine, mainly at the lumbar and cervical levels [4,[7][8][9][10][11][12]. Previous studies regarding flamenco's technical movements have focused on analyzing them from the perspective of electromyography, kinematics and epidemiology [9,[13][14][15]. However, questionnaires and labor-intensive methods were often used in these studies.…”
The intense footwork required in flamenco dance may result in pain and injury. This study aimed to quantify the external load of the flamenco Zapateado-3 (Zap-3) footwork via triaxial accelerometry in the form of PlayerLoad (PL), comparing the difference in external loads at the fifth lumbar vertebra (L5), the seventh cervical vertebra (C7) and the dominant ankle (DA), and to explore whether the speed, position, axis and proficiency level of the flamenco dancer affected the external load. Twelve flamenco dancers, divided into professional and amateur groups, completed a 15-s Zap-3 footwork routine at different speeds. Triaxial accelerometry sensors were positioned at the DA, L5 and C7 and were utilized to calculate the total PlayerLoad (PLTOTAL), uniaxial PlayerLoad (PLUNI) and uniaxial contributions (PL%). For both PLTOTAL and PLUNI, this study identified significant effects of speed and position (p < 0.001), as well as the interaction between speed and position (p ≤ 0.001), and at the DA, values were significantly higher (p < 0.001) than those at C7 and L5. Significant single axis and group effects (p < 0.001) and effects of the interactions between the position and a single axis and the group and speed (p ≤ 0.001) were also identified for PLUNI. Medial-lateral PL% represented a larger contribution compared with anterior-posterior PL% and vertical PL% (p < 0.001). A significant interaction effect of position and PL% (p < 0.001) also existed. In conclusion, the Zap-3 footwork produced a significant external load at different positions, and it was affected by speed, axis and the proficiency level of the flamenco dancer. Although the ankle bears the most external load when dancing the flamenco, some external load caused by significant vibrations is also borne by the lumbar and cervical vertebrae.
“…Biomechanics have been studied in other styles of dance including ballet, modern, Irish, Flamenco, and Bharatanatyam, among others [23][24][25]. Irish dancers, for example, experience ground reaction forces of up to 4.5 times body weight when performing the rock step [6,26].…”
Tap dance generates forces and joint motions that can lead to injury; however, little is known about the magnitude of load across different tap steps. The purpose of this study was to calculate peak vertical forces, average vertical foot velocities, and maximum/minimum ankle angles produced by tap dancers with different levels of experience performing the toe cannon, heel cannon, flap, and cramp roll. This prospective cross-sectional study included 14 female tap dancers aged ≥18 years with varying tap experience. Participants were recorded by three cameras while performing a choreographed tap combination containing four steps of interest on a force platform. Adjusting for experience and dancer-level clustering, we identified the steps—cramp roll and toe cannon—that had the highest peak vertical ground reaction force, angles, and velocities compared to flap and heel cannon. There was no effect of experience. The results supported our hypothesis and provide new insights into step production. Over time, the larger forces associated with these steps could pose an increased risk of injury to bones and joints when compared to smaller forces, which may suggest the importance of adjusting routines to reduce or avoid injury.
“…About "physical" and "biomechanical" aspect as hotspots, there are some main reasons. Flamenco dance has its unique characteristics with strong emotion and the footwork technique (Baena-Chicón, Gómez-Lozano, Cano, & Vargas-Macías, 2021), which requires dancers strike the floor to make a loud and rhythm voice (Vargas-Macías et al, 2021). Therefore, dancers were usually required to have a high level of physical conditions (Forczek, Baena-Chicon, & Vargas-Macias, 2017), there is research indicate that the require is similar to those of elite sports (Pedersen, Wilmerding, Kuhn, & Enciñias-Sandoval, 2001).…”
Section: Table 3 High-yield Regions In the Flamenco Dance Researchmentioning
CCD no se responsabiliza de las opiniones expresadas por los autores de los artículos. Prohibida la reproducción total o parcial de los artículos aquí publicados sin el consentimiento del editor de la revista.CCD is not responsible for the opinions expressed by the authors of the articles published in this journal. The full or partial reproduction of the articles published in this journal without the consent of the editor is prohibited.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.