Abstract:The paper discusses the first outcomes of an ongoing research activity aimed at developing a general BIM-based methodology for the organization and the management of the information needed for maintenance and safety assessment of museums. The Galleria dell'Accademia di Firenze (Florence, Italy) which has a very complex spatial organisation as a result of transformations occurred over the centuries, has been considered as an illustrative application of the proposed methodology. One of the specific elements whic… Show more
“…The 3D reconstruction was executed using Agisoft Metashape (Agisoft, St. Petersburg) photogrammetry software. The elaboration process is composed of different phases (Tucci et al 2019;Pierdicca et al 2020):…”
There are several studies related to the cultural heritage digitization through HBIM (Heritage Building Information Modelling) techniques. Today, BIM (Building Information Modelling) software cannot represent old buildings with complex prominent and particularly detailed architecture perfectly, and multiple software are combined to obtain the buildings’ representation. In this paper, in order to find an alternative way of replicating the complex details present in antique buildings, a new methodology is presented. The methodology is based on a process of direct insertion of various 3D model parts (.obj), into a BIM environment. These 3D model elements, coming from the points cloud segmentation (from UAV and Laser Scanner), are transformed in intelligent objects and interconnected to form the smart model. The methodology allows to represent detail of the objects that make up an element of cultural heritage, although not standardizable in shape. Although this methodology allows to ensure a perfect reconstruction and digital preservation and to represent the different “defects” that represent and make unique a particular object of cultural heritage, it is not however fast compared with the traditional phases of point cloud tracing and more software are necessary for data processing. The proposed methodology was tested on two specific structures’ reconstruction in Reggio Calabria (South Italy): the Sant’Antonio Abate church and the Vitrioli’s portal.
“…The 3D reconstruction was executed using Agisoft Metashape (Agisoft, St. Petersburg) photogrammetry software. The elaboration process is composed of different phases (Tucci et al 2019;Pierdicca et al 2020):…”
There are several studies related to the cultural heritage digitization through HBIM (Heritage Building Information Modelling) techniques. Today, BIM (Building Information Modelling) software cannot represent old buildings with complex prominent and particularly detailed architecture perfectly, and multiple software are combined to obtain the buildings’ representation. In this paper, in order to find an alternative way of replicating the complex details present in antique buildings, a new methodology is presented. The methodology is based on a process of direct insertion of various 3D model parts (.obj), into a BIM environment. These 3D model elements, coming from the points cloud segmentation (from UAV and Laser Scanner), are transformed in intelligent objects and interconnected to form the smart model. The methodology allows to represent detail of the objects that make up an element of cultural heritage, although not standardizable in shape. Although this methodology allows to ensure a perfect reconstruction and digital preservation and to represent the different “defects” that represent and make unique a particular object of cultural heritage, it is not however fast compared with the traditional phases of point cloud tracing and more software are necessary for data processing. The proposed methodology was tested on two specific structures’ reconstruction in Reggio Calabria (South Italy): the Sant’Antonio Abate church and the Vitrioli’s portal.
“…Previous research has already shown how the management of museums can benefit from visually structured databases (Tucci et al, 2019a;Tucci et al, 2019b). BIM models (or H-BIM, in the case of museums in historic buildings) including data and 3D representation of works of art help museum managers in decision making by correlating information about the collections and the spaces in which they are located.…”
Three-dimensional acquisition techniques, reality-based modelling and virtual reality are tools used in Digital Humanities prevalently for displaying the results of a study, but they can also suggest new methods of investigation to humanities scholars. In a case study regarding art history, these techniques made it possible to recreate the layout of the Sala di Saturno in Pitti Palace (Florence) in the 17th century, based on information obtained from archive documents on the tapestries designed for that hall and a 3D model expressly elaborated with geomatic techniques. The results were summarised in a video showed in 2019 during the exhibition on tapestries dedicated to Cosimo I de' Medici. A tool was also developed to assist exhibition and museum curators in their work. Through virtual reality, they can design temporary exhibitions or modify the display of the works of art in a museum in a realistic way, using visually and metrically accurate models of the pieces and exhibition rooms.
“…In order to correlate the GPR survey with the overall geometry of the building, a laser scanner survey has been performed (Tucci, Bonora, Conti, & Fiorini, 2017). A terrestrial laser scanner samples opaque surfaces with high accuracy and resolution (Tucci et al, 2019). The device emits a laser beam with a pre‐set angular step and measures the distance of the surface computing the time‐of‐flight or the phase‐shift between the waveforms of the emitted and reflected signals.…”
Ground penetrating radar (GPR) is a powerful non-destructive investigation tool widely used in archaeology. Its capabilities are greatly enhanced when it is operated in combination with a terrestrial laser scanner. This article reports on the radar investigation of the floor of Palazzo Vecchio's Great Hall. This monumental hall has been decorated by the most prominent artists of Italian Renaissance and it has radically changed at least twice since the 15th century. The aim of this investigation is to find features inside and under the floor that can contribute to a better reconstruction of the history of this monument. The main findings of this prospection have been the detection of a transversal girder not known on the south side of the Great Hall and a hemicycle structure under the floor. Both are probably remains of the works for adapting the hall to be used as the National Parliament of Italy between 1865 and 1870.
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