2016
DOI: 10.1007/s40558-016-0059-y
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‘Authentic but not too much’: exploring perceptions of authenticity of virtual tourism

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Cited by 106 publications
(81 citation statements)
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References 24 publications
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“…Whilst the only study that utilised the concept of Authenticity in the review adapted it for AR, exploring perceptions of authenticity could provide valuable insights into the trajectory of virtual tourism. Mura et al (2016) found that their participants regarded virtual tourism in its current form as not authentic enough and thus not viable as a replacement for corporeal tourism. An adequate level of authenticity perceived from virtual worlds could prove to be the tipping point for an influx of interest, both academically and from the tourism industry, into virtual tourism.…”
Section: Theory-based Vr and Ar Tourism Researchmentioning
confidence: 97%
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“…Whilst the only study that utilised the concept of Authenticity in the review adapted it for AR, exploring perceptions of authenticity could provide valuable insights into the trajectory of virtual tourism. Mura et al (2016) found that their participants regarded virtual tourism in its current form as not authentic enough and thus not viable as a replacement for corporeal tourism. An adequate level of authenticity perceived from virtual worlds could prove to be the tipping point for an influx of interest, both academically and from the tourism industry, into virtual tourism.…”
Section: Theory-based Vr and Ar Tourism Researchmentioning
confidence: 97%
“…This means that these embassies, universities, virtual hotels and other tourism entities view time and financial outlays in Second Life as a worthwhile investment. This signals the growing importance of virtual worlds in the tourism industry and yet, academic research remains scant (Mura et al, 2016).…”
Section: Virtual Realitymentioning
confidence: 99%
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“…3D-based digital cultural heritage suggests that a more pluralistic notion of authenticity is desirable for researching and understanding the changing conditions of both media art and archaeological cultural heritage (Muñoz Morcillo et al 2017), which could result in visitors' emotional involvement. Because perceptions of authenticity are activated by experiences that involve all of the senses, the visual dimension is important in the experience of authenticity (Mura, Tavakoli, and Sharif 2017) and may influence potential tourists' flow state. In this sense, this study considers authentic experiences as the stimuli for affective responses to tourism-related VR experiences in relation to Mehrabian and Russell's (1974) SOR theory.…”
Section: Hypothesis Developmentmentioning
confidence: 99%