Assembling the natural and the supernatural in Thai independent cinema: the ethno-cinematographic rhizomes of Apichatpong Weerasethakul

Malaina, Álvaro

doi:10.1080/1683478x.2022.2064370

Cited by 1 publication

(1 citation statement)

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“…We have introduced the concept of "ethno-cinematographic rhizome" in other articles (Malaina, 2020(Malaina, , 2022, based on the conceptual framework developed by Gilles Deleuze, as at the same time an epistemological framework and a heuristic tool for the analysis of films generated in non-Western cultures that combine cinematographic creation and ethnographic observation. Our proposal is framed in the recent advances in anthropology of the image (Andrade & Elhaik, 2018) and in multimodal anthropology, sensory instead of textual, performative and inventive instead of representative and descriptive (Dattatreyan & Marrero-Guillamón, 2019).…”

Section: The Thai Independent Cinema Of Anocha Suwichakornpongmentioning

confidence: 99%

Through the Looking Glass. The Ethno-Cinematographic Rhizomes of Anocha Suwichakornpong

Martín

2023

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Partiendo del concepto de “rizoma” de Deleuze que entiende el conocimiento de forma no jerárquica, como aprehensión de multiplicidad, proponemos un marco conceptual de análisis fílmico, el "rizoma etno-cinematográfico", como vehículo paralelo y convergente de creación artística audiovisual y observación para-etnográfica. Presentamos el ejemplo de dos largometrajes de la directora independiente tailandesa Anocha Suwichakornpong, concebidos como rizomas etno-cinematográficos: By the time it gets dark (Dao Khanong, 2016), que trata sobre la memoria histórica de la masacre de estudiantes de la Universidad de Thammasat en 1976 y Krabi 2562 (codirigida con Ben Rivers, 2019), que nos introduce en el microcosmos sociocultural de la localidad turística de Krabi. Destacamos su estructura rizomática fragmentada que presentan una multiplicidad de líneas narrativas y cronológicas que se ensamblan de manera compleja para hacer emerger un aparato cinematográfico de gran belleza estética y profundo conocimiento para-etnográfico de la realidad social tailandesa pasada y presente.

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Section: The Thai Independent Cinema Of Anocha Suwichakornpongmentioning

confidence: 99%

Through the Looking Glass. The Ethno-Cinematographic Rhizomes of Anocha Suwichakornpong

Martín

2023

Área abierta

View full text Add to dashboard Cite

show abstract

Assembling the natural and the supernatural in Thai independent cinema: the ethno-cinematographic rhizomes of Apichatpong Weerasethakul

Cited by 1 publication

References 33 publications

Through the Looking Glass. The Ethno-Cinematographic Rhizomes of Anocha Suwichakornpong

Through the Looking Glass. The Ethno-Cinematographic Rhizomes of Anocha Suwichakornpong

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