Aspek Stilistika dalam Antologi Puisi Melipat Jarak Karya Sapardi Djoko Damono dan Pemanfaatannya sebagai Materi Pengayaan Sastra

Muklis, Abdul; Supriyanto, Teguh; Mulyani, Mimi

doi:10.26737/jp-bsi.v3i1.443

Cited by 7 publications

(7 citation statements)

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“…This research is relevant to the previous studies conducted by several researchers about stylistic, particularly on the diction, imagery, words, concrete, and figurative language (Rosid, 2011), (Effendi, 2013), (Mukhlis, 2018), (Khan, 2015) dan (Anindita, 2017). However, the focus of this research is analyzing the imagery used in Prihal Gendis poetry book.…”

Section: Introductionmentioning

confidence: 75%

The Imagery In Perihal Gendis Poetry Book By Sapardi Djoko Damono And Its Application As Drilling Material For Literature Learning In High School

Wijayakusuma¹,

Supriyanto²,

Doyin³

2020

Proceedings of the Proceedings of the 5th International Conference on Science, Education and Technology, ISET 2019, 29th June 2

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The researcher examined the imagery in Perihal Gendis book poetry that was classified as the most recent poems written by Sapardi. This study aimed at (1) analyzing the imagery used by Sapardi in Perihal Gendis poetry book. (2) describing the application of the findings as drilling material for literature learning in Grade X of High School. This is a qualitative research with a stylistic approach. The research data were acquired from Perihal Gendis poetry book by Sapardi. The data were collected through heuristic reading and literature. According to the data analysis, there were several finding gained: (1) there were 143 imagery data found in the research. The most frequent imageries are kinesthetic imagery with 48 data found, auditory imagery with 41 data, and visual imagery with 38 data; and 2) The imagery aspects collected from Perihal Gendis poetry Book by Sapardi was applied as the drilling material for students in Grade X of High School and was administered in two steps of activities, those are exploratory skill activities and process skill activities.

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Section: Introductionmentioning

confidence: 75%

The Imagery In Perihal Gendis Poetry Book By Sapardi Djoko Damono And Its Application As Drilling Material For Literature Learning In High School

Wijayakusuma¹,

Supriyanto²,

Doyin³

2020

Proceedings of the Proceedings of the 5th International Conference on Science, Education and Technology, ISET 2019, 29th June 2

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“…If the data collection in this study was carried out using a heuristic method, then the data analysis technique was carried out using a hermeneutic method. Mukhlis et al (2018) the hermeneutic method is carried out by giving meaning to the level of literary and cultural conventions that lie behind it. In this study, source triangulation was used to validate.…”

Section: Methodsmentioning

confidence: 99%

The Cultural Identity of the Characters in the Film Scenario Ngeri-Ngeri Sedap by Bene Dion Rajagukguk

2023

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Clash and cultural identity fighting in film scenarios Ngeri-Ngeri Sedap karya Bene Dion Rajagukguk is a phenomenon of a very perfect cultural identity conflict. Cultural identity can affect social relations between characters. For this reason, it is very important to know the cultural identity of each character. Cultural identity can be known through semiotic studies. By knowing the language code, literary code, and cultural code we can find out the cultural identity of the character. This research uses Teeuw's semiotic theory. The data collection method used is the first level of semiotics reading. The results of this study are the language code used by the characters in the film scenario Ngeri-Ngeri Sedap karya Bene Dion Rajagukguk using Indonesian, but its use is mixed with the term Batak. The literary code is found from the facts of the story namely elements of characters and characterizations, plot, and background. Cultural code can be seen in cultural elements such as traditional ceremonies sulang-sulang pahoppu, tor-tor dance and ulos, Batak special songs, and special food mie gomak. From these codes can be seen the social relationships of the characters in accordance with the theory of social relations between individuals, and social relations between individuals and groups. This research is expected to be able to motivate the community to protect the culture they have but do not close themselves to the times. Keywords: identity; cultural; semiotic; scenario; figure

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“…Pengkajian stilistika karya sastra dipandang penting karena berbagai bentuk, pola, dan struktur linguistik dalam karya sastra memiliki fungsi tertentu (Yulistiana, Sumarlam, & Satoto, 2019). Stilistika merupakan aspek kajian interdisipliner linguistik dengan prinsip mengeksplorasi dan memanipulasi bahasa, sehingga memberikan efek estetik di dalam puisi (Mukhlis, 2018). Dengan kata lain, melalui pendekatan stilistika sesorang dapat melihat sisi estetika dari suatu puisi yang dilihat dari penggunaan bahasa pada masing-masing puisi.…”

Section: Pendahuluanunclassified

Gaya kebahasaan Rahmat Djoko Pradopo dalam antologi “Geguritan Abang Mbranang”

Setyawan

Saddhono

2021

KEMBARA

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Geguritan merupakan salah satu karya sastra Jawa yang memiliki keunikan dalam aspek kebahasaan. Hal ini tidak terlepas dari gaya kebahasaan masing-masing pengarang yang berbeda-beda. Hal tersebut menjadi salah satu objek yang menarik untuk dikaji menjadi sebuah penelitian khususnya tentang gaya bahasa dengan pendekatan stilistika. Penelitian ini bertujuan untuk mendeskripsikan dan menjelaskan ciri khas kepengarangan Rahmat Djoko Pradopo dalam antologi Geguritan Abang Mbranang. Pendekatan yang digunakan adalah stilistika, yaitu suatu ilmu yang membahas mengenai gaya bahasa dalam karya sastra. Sumber data penelitian diambil dari teks geguritan dalam antologi Geguritan Abang Mbrang yang berjudul Wis Tuwa, Uluk Salame Srengenge, dan Para Mitrane Wengi. Teknik analisis data menggunakan teknik content analysis dan analisis interaktif. Dari hasil analisis ditemukan bahwa dalam antologi tersebut terdapat penggunaan kata kongkret dan kata konotatif untuk mengungkapkan isi dari masing-masing geguritan. Penggunaan bahasa figuratif juga sangat intens. Dalam antologi tersebut ditemukan penggunaan majas (1) personifikasi, (2) simile, (3) metafora, dan (4) hiperbola. Pengarang juga menggunakan citraan untuk memberikan gambaran nyata kepada pembaca, diantaranya adalah citraan (1) pengelihatan, (2) pendengaran, (3) penciuman, dan (4) gerak. Dari sekian gaya bahasa pengarang, dapat diketahui bahwa penggunaan majas personifikasi dan citraan gerak sangat dominan dalam ciri kepengarangan Rahmat Djoko Pradopo terlihat dalam beberapa karyanya yang termuat di antologi Geguritan Abang Mbranang.

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Aspek Stilistika dalam Antologi Puisi Melipat Jarak Karya Sapardi Djoko Damono dan Pemanfaatannya sebagai Materi Pengayaan Sastra

Cited by 7 publications

References 1 publication

The Imagery In Perihal Gendis Poetry Book By Sapardi Djoko Damono And Its Application As Drilling Material For Literature Learning In High School

The Imagery In Perihal Gendis Poetry Book By Sapardi Djoko Damono And Its Application As Drilling Material For Literature Learning In High School

The Cultural Identity of the Characters in the Film Scenario Ngeri-Ngeri Sedap by Bene Dion Rajagukguk

Gaya kebahasaan Rahmat Djoko Pradopo dalam antologi “Geguritan Abang Mbranang”

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