Art in the Anthropocene

Braddock, Alan C.; Ater, Renée

doi:10.1086/679693

Cited by 8 publications

(1 citation statement)

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“…Para reflexionar acerca de estos lineamientos, hemos optado por el análisis crítico en un estudio multidisciplinar alrededor de la subjetividad del arte. En este tipo de análisis es importante la elección de aquellos escritos que versan respecto de teorías de lo visual, la experiencia visual y la cultura visual (Adorno, 2004;Anderson, 2015;Bal, 2016;Braddock and Ater, 2014;Bellion, 2017;Belting, 2007;Benjamin, 2001;Benjamin, 1992;Berger, 2006;Bergson, 2006;Brea, 2005;Bryson 2005;Bryson, Holly and Moxey, 1994;Contreras, 2017;Crary, 2008;Didi-Huberman, 2008;Elkins, 2003;Foster, 2017;Foucault, 1999;García Moggia, 2016;Guasch, 2000;Groys, 2016;Huyssen, 2015;Jay, 2007;Mirzoeff, 2016;Moxey, 2015;Perniola, 2016;Rancière, 2010;Silverman, 2009;Trachtenberg, 2015;Torre, 2017;Wollheim, 1972). En este estudio nos hemos centrado en la cuestión del poder del régimen escópico organizando la relación entre el arte y la política.…”

Section: Lineamientos En El Estudio Del Régimen Escópicounclassified

Arte y política en el sostenimiento de los regímenes escópicos

Medina

Marín

2022

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Este artículo estudia el poder de la visualidad en la política. Entre aquello que está permitido ver y aquello que está prohibido mostrar, el régimen escópico se define por la intervención del poder institucional respecto de la mirada del espectador. Este estudio se desarrolla entre la tradición filosófica y otras aportaciones multidisciplinares (estudios visuales, comunicación social, estética, historia del arte, teoría del arte) que evidencian a) el control político en los regímenes escópicos de la mirada del espectador; b) la consolidación de una cultura visual que condiciona el modo de vida de los individuos y las sociedades; c) el dominio del espacio social por medio de la regulación del espacio visual; y d) la manipulación de los afectos por medio de la experiencia visual. En este estudio destacamos la apertura de la consciencia crítica en la modernidad a la estetización de la política.

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Section: Lineamientos En El Estudio Del Régimen Escópicounclassified

Arte y política en el sostenimiento de los regímenes escópicos

Medina

Marín

2022

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Visual climate change art 2005–2015: discourse and practice

Nurmis

2016

WIREs Climate Change

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During the last decade (2005)(2006)(2007)(2008)(2009)(2010)(2011)(2012)(2013)(2014)(2015), artists from all over the world have taken on climate change as the subject matter of their work. Encouraged by activists (most notably Bill McKibben), artists have appropriated climate change as a social problem and decided that they too, alongside journalists, scientists, and activists, were called upon to engage with this issue. Dozens of noteworthy exhibitions, most notably in Boulder (2007) (2015), have placed climate change art on the map as a new and timely genre, displaying relevant artworks both alongside climate negotiations and in dedicated gallery spaces such as the Barbican in London. I argue that much progress has been made in appropriating climate change art as an essentially artistic, rather than propagandistic or activist practice. Although caught in the net of many criticisms, climate change art plays a crucial role in allowing the public to rethink the role of human beings' everyday activities in irrevocably altering the climate system. In effect, climate change art makes the Anthropocene a cultural reality. However, the review points out a strong artistic trend toward the imagery of apocalyptic sublime, which results in art that may be poignant, but falls out of step with the self-professed motivations of artists and curators alike.

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The Public Artist as a Fringe Agent for Sustainability: Practices of Environmentalist Driven Art-Activism and Their Digital Perspectives

Mantoan

2022

The Palgrave Handbook of Digital and Public Humanities

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Art in the Anthropocene

Cited by 8 publications

References 10 publications

Arte y política en el sostenimiento de los regímenes escópicos

Arte y política en el sostenimiento de los regímenes escópicos

Visual climate change art 2005–2015: discourse and practice

The Public Artist as a Fringe Agent for Sustainability: Practices of Environmentalist Driven Art-Activism and Their Digital Perspectives

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