Art as Metaphor, Epiphany, and Aesthetic Statement: The Short Stories of Isaak Babel'

Sicher, Efraim

doi:10.2307/3726820

Cited by 3 publications

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“…In addition, CCCE is the knowledge that appears randomly and quickly when individuals carry out the learning process or financial analysis, generally referred to as an "idea." However, we exclude the CCCE type from this study, assuming that CCCE is abstract or because of the epiphany element itself (Alexander, 2017;Sicher, 1982;Strange et al, 2019).…”

Section: Journal Ofmentioning

confidence: 99%

Investor’s Learning Style and Knowledge Acquisition Dimension: The Role of ICT in Maximising Knowledge Acquisition

Saputra

Hadi

2022

JAI

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Research aims: This study investigates investor learning style in acquiring knowledge moderated by Information and Communications Technology (ICT).Design/Methodology/Approach: This study performed an online survey method, comprising 263 convergent-type and 210 assimilative-type as the final sample. The Structural Equation Model using Smart-PLS was employed to estimate the relationship of the latent variableResearch findings: The regression results revealed that convergent-type investors positively affected all knowledge acquisition dimensions due to their high experience and knowledge compared to assimilative-type, even with the help of ICT.Theoretical contribution/Originality: This research discloses comprehensive constructs of sophisticated and unsophisticated investors in acquiring knowledge. Widely, it contributes to the literature advancement related to investor learning style, knowledge acquisition, and the role of ICT.Practitioner/Policy implication: It can be used as an ideal individual construct in learning that can be embraced by financial consultants, capital market training institutions, and professional education. Thus, they are also responsible for developing investors' skills, especially novice investorsResearch limitation/Implication: This study did not fully capture the exact participants’ learning styles. Thus, future research is hoped to provide experimental approaches, reaching the natural cause-effect measurement of investor learning style and knowledge acquisition.

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Section: Journal Ofmentioning

confidence: 99%

Investor’s Learning Style and Knowledge Acquisition Dimension: The Role of ICT in Maximising Knowledge Acquisition

Saputra

Hadi

2022

JAI

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“…Art was an essential part of Babel's personal life and his works. According to Sicher, A theme running through much of Babel's mature prose of the 1920s is the power of art to transform the familiar into an unexpected revelation [---] Babel's wide reading predisposed him to follow no one artist or movement, but unpublished notes which he made as a young man [---] show an overwhelming preference for nineteenth-century West European culture and for the Renaissance [25].…”

Section: Babel As An Artistmentioning

confidence: 99%

Мистецтво Говорити По-Одеськи: Одеські Фразеологізми Ісаака Бабеля Як «фіксовані Одиниці Мовного Мистецтва» В Телевізійно-Кінематографічному Контексті

Kabanen

2021

Мова

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Мета цієї статті — дізнатися про те, чи є певні фрази на так званій «одеській мові» в Одеських оповіданнях Ісаака Бабеля віддзеркаленням реальності, відображенням міфу або виключно художнім твором. Для досягнення мети у статті продемонстровано способи подання цих фраз у таких екранізаціях Одеських оповідань: «Беня Крик» (1926), «Мистецтво жити в Одесі» (1989), «Биндюжник і король» (1989) і «Захід» (1990). Новизна цього дослідження полягає в тому, що вищевказані фрази розглянуто як «фіксовані одиниці мовного мистецтва», які використовуються у фільмах як маркери і застосовуються в орнаментальному призначенні, а також як визначники місця дій оповідання, додаючи тексту одеський колорит. Спочатку проаналізовано основні характеристики кожного з фільмів, їх спільне і відмінне; далі показано, як цитати з творів І. Е. Бабеля занурено в екранізовані діалоги. Результати аналізу свідчать про те, що в більш сучасних екранізаціях фіксовані одиниці мовного мистецтва використовуються особливо часто, хоча сам розповідний текст значно змінений і наближений до норми російської літературної мови. Висновки констатують, що, незважаючи на те, що в фільмах «одеська мова» І. Е. Бабеля представлена як художнє мовлення і відображення міфу, не виключена можливість відображення нею місцевих міських мовних реалій першої чверті ХХ століття.

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Did World War I Foster Distinctly “Spectatorial” Attitudes in Writers?

West¹

2016

Comparative Literature Studies

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In Exile's Return, Malcolm Cowley noted that before the United States entered World War I, many American writers volunteered for noncombatant service with Allied forces. Motivated by a sense of adventure more than by patriotic commitment, such service “instilled into us what might be called a spectatorial attitude.” Current literary history relies on Cowley's thesis to characterize much American writing of the postwar decade. But however one defines such “spectatorial” attitudes, can they be distinguished from the detached stances cultivated by European writers whose wartime experience involved more patriotic and political commitment? Many English, French, German, Italian, and Russian authors who saw combat cultivated observers' poses perhaps even more assiduously. Among their motives were speculations about perception, a deeper appreciation of the visual arts and their relation to literature, a sense of theatricality, experience with trench warfare, and the tendency of men in close combat to distance themselves psychologically from the brutal realities of their position. A comparatist perspective suggests that it is unsound literary history to invoke national exceptionalism like American volunteers' greater aloofness in combat as the chief explanation for whatever tendencies to detached spectatorial observation American writers of the 1920s shared with their European counterparts.

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Art as Metaphor, Epiphany, and Aesthetic Statement: The Short Stories of Isaak Babel'

Cited by 3 publications

References 0 publications

Investor’s Learning Style and Knowledge Acquisition Dimension: The Role of ICT in Maximising Knowledge Acquisition

Investor’s Learning Style and Knowledge Acquisition Dimension: The Role of ICT in Maximising Knowledge Acquisition

Мистецтво Говорити По-Одеськи: Одеські Фразеологізми Ісаака Бабеля Як «фіксовані Одиниці Мовного Мистецтва» В Телевізійно-Кінематографічному Контексті

Did World War I Foster Distinctly “Spectatorial” Attitudes in Writers?

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