Abstract:In Exile's Return, Malcolm Cowley noted that before the United States entered World War I, many American writers volunteered for noncombatant service with Allied forces. Motivated by a sense of adventure more than by patriotic commitment, such service “instilled into us what might be called a spectatorial attitude.” Current literary history relies on Cowley's thesis to characterize much American writing of the postwar decade. But however one defines such “spectatorial” attitudes, can they be distinguished from… Show more
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