Oxford Handbooks Online 2016
DOI: 10.1093/oxfordhb/9780199935338.013.148
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Aristotelian Criticism in Sixteenth-Century England

Abstract: Aristotle’sPoeticshas been thought to be inaccessible or misunderstood in sixteenth-century England, but this inherited assumption has drifted far from the primary evidence and lagged behind advances in contiguous fields. As a member of thecorpus Aristotelicum, the shared foundation of Western education until the late seventeenth century, thePoeticsenjoyed wide circulation, ownership, and interest in Latin and Italian as well as the original Greek. Placing thePoeticsin its intellectual context suggests a very … Show more

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Cited by 5 publications
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“…Coping by reducing the importance of the discrepancy predominantly results in temporary relief and does not help increase satisfaction with one’s social relationships ( Thoits, 1995 ). Adapting standards may be effective if there are unrealistically high expectations of (certain types of) relationships, but it does not change the situation immediately ( Lazarus & Lazarus, 2006 ). However, this strategy may be less effective or even harmful when it involves ignorance of possibilities to expand the network with desired relations, which may also help to reduce loneliness.…”
mentioning
confidence: 99%
“…Coping by reducing the importance of the discrepancy predominantly results in temporary relief and does not help increase satisfaction with one’s social relationships ( Thoits, 1995 ). Adapting standards may be effective if there are unrealistically high expectations of (certain types of) relationships, but it does not change the situation immediately ( Lazarus & Lazarus, 2006 ). However, this strategy may be less effective or even harmful when it involves ignorance of possibilities to expand the network with desired relations, which may also help to reduce loneliness.…”
mentioning
confidence: 99%
“…45 Leo focuses primarily on the Poetics, a text that has recently been shown to have been more prevalent in early modern England than previously realized. 46 As Leo observes: "While his contemporaries read the Poetics to learn how to write a poem, or to defend poetry, Rainolds recruits Aristotle as an anti-theatrical writer, suspicious of histrionic per for mance and spectacle." 47 Leigh's note-book both bolsters this perspective and adds a new dimension to it.…”
Section: Aristotle and The Theatrical Question: Local And Internation...mentioning
confidence: 99%