“…The need for the sharing and utilising of archival material-particularly in conflict zones-is an issue not only pertinent to Syria, as the escalating conflict in Afghanistan has shown. As part of the commitment to the preservation of heritage, the Archive Archaeology project has compiled a list of cultural heritage resources (https://projects.au.dk/archivearcheology/ cultural-heritage-resources/) and has drawn upon the archive to produce several works on the preservation of Palmyra (Raja 2015(Raja , 2016a(Raja , 2016b(Raja , 2020. Archives must be made accessible in order to be utilised by scholars and members of the public with an interest in the ancient world and heritage preservation; they are currently under-utilised, despite the wealth of information they contain.…”
Section: Discussionmentioning
confidence: 99%
“…Enhancing the accessibility of the Ingholt Archive aims to set a benchmark for best practice in archaeology and lead by example in future research and cultural heritage preservation initiatives. The archive has already begun to yield such results, as it provided the foundation for the digital reconstruction of the Tomb of Ḥ airan (Bobou et al 2020). Digital models and other forthcoming research, such as work on looted and faked sculptures, will aid restitution efforts in Syria.…”
Despite growing focus, archives remain under-utilised in archaeology and cultural heritage research. Regrettably, COVID-19 exacerbated archive inaccessibility, as researchers were largely cut off from physical resources, thereby underlining the need to develop best practice scenarios. Here we present a case study that demonstrates the potential of archives when made freely available.
“…The need for the sharing and utilising of archival material-particularly in conflict zones-is an issue not only pertinent to Syria, as the escalating conflict in Afghanistan has shown. As part of the commitment to the preservation of heritage, the Archive Archaeology project has compiled a list of cultural heritage resources (https://projects.au.dk/archivearcheology/ cultural-heritage-resources/) and has drawn upon the archive to produce several works on the preservation of Palmyra (Raja 2015(Raja , 2016a(Raja , 2016b(Raja , 2020. Archives must be made accessible in order to be utilised by scholars and members of the public with an interest in the ancient world and heritage preservation; they are currently under-utilised, despite the wealth of information they contain.…”
Section: Discussionmentioning
confidence: 99%
“…Enhancing the accessibility of the Ingholt Archive aims to set a benchmark for best practice in archaeology and lead by example in future research and cultural heritage preservation initiatives. The archive has already begun to yield such results, as it provided the foundation for the digital reconstruction of the Tomb of Ḥ airan (Bobou et al 2020). Digital models and other forthcoming research, such as work on looted and faked sculptures, will aid restitution efforts in Syria.…”
Despite growing focus, archives remain under-utilised in archaeology and cultural heritage research. Regrettably, COVID-19 exacerbated archive inaccessibility, as researchers were largely cut off from physical resources, thereby underlining the need to develop best practice scenarios. Here we present a case study that demonstrates the potential of archives when made freely available.
“…Furthermore, through the documentation on the grave of Hairan in the diaries, together with articles published by Ingholt in the years after the excavation campaigns, it was possible to create a 3D-construction of the tomb [17]. Through the information from the diaries in 1924 and 1928 as well as a sketch of the ground-plan from 1925 and water colour drawings of the wall paintings, it was possible to reconstruct a digital model.…”
Section: Languagementioning
confidence: 99%
“…In total, only 13 tombs were published by Ingholt [11,12,13,14,15,16], which means that the information from the diaries is yet to be connected to more recent excavations and research. As such, the diaries can help to close gaps in our knowledge of the Palmyrene hypogea and expand our knowledge on the city and the burial spaces [17].…”
“…The Palmyra Portrait Project has used the archive since its digitization in 2012 as the foundation for several publications on Palmyra [14]. Such recent work includes studies of Palmyrene sculpture at the Ny Carlsberg Glyptotek, economic and demographic trends, Palmyrene women, tomb reconstructions, and sculpture recontextualization [15,16,17,18,19].…”
Starting in the 1920s and into the 1970s, the Danish archaeologist Harald Ingholt created a vast collection of sculpture, architecture, and epigraphy from Palmyra, Syria (first to third centuries AD). His paper archive contains 2,347 so-called archive sheets, which include photographs, transcriptions of inscriptions, stylistic observations and dating, provenance and collection information, and bibliography. In 2012 the archive was digitized by Professor Rubina Raja and the Palmyra Portrait Project. An in print, commented edition of the archive is underway, but this publication serves to make the archive sheets openly available as a research resource and a starting point for future research on Palmyrene art and epigraphy, the history of excavations in the Middle East, twentieth century collecting practices, and cultural heritage preservation in Syria.
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