2015
DOI: 10.1121/1.4920562
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Architectural acoustics illustrated

Abstract: Novel discoveries, non-obvious findings, and counter-intuitive conclusions will be excerpted and highlighted from the just-released book Architectural Acoustics Illustrated (authored by the presenter, Wiley, 2015). The text filters the content of architectural acoustics through the graphic and built language of architecture. In writing the book, building material choices, spatial relationships, best-practices, and data were explored through drawing and animated videos. Summaries of the findings will be demonst… Show more

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Cited by 27 publications
(19 citation statements)
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“…It can be perceived as prolonging of the original sound due to temporal smearing and in most real-life cases as an audible change in timbre. In the case of music, reverberation is to some extent desirable since it provides warmth to the sound [1]. In the case of speech, it can degrade intelligibility [2] and also affects the performance of Automatic Speech Recognition (ASR) systems [3].…”
Section: Introductionmentioning
confidence: 99%
“…It can be perceived as prolonging of the original sound due to temporal smearing and in most real-life cases as an audible change in timbre. In the case of music, reverberation is to some extent desirable since it provides warmth to the sound [1]. In the case of speech, it can degrade intelligibility [2] and also affects the performance of Automatic Speech Recognition (ASR) systems [3].…”
Section: Introductionmentioning
confidence: 99%
“…As frequências audíveis são divididas em três regiões, entre 20 e 200 Hz é possível escutar sons graves, entre 200 e 2.000 Hz é possível ouvir sons médios, e entre 2.000 e 20.000 Hz encontram-se os sons agudos (BIES; HANSEN; HOWARD, 2018). Os três fenômenos físicos que caracterizam o som são: (1) Nível sonoro (ou energia, força, amplitude, intensidade sonora); (2) Frequência (ou tom comprimento de onda); e (3) Propagação (ou caminho, tempo decorrido) (ERMAN, 2015).…”
Section: Desempenho Acústicounclassified
“…All values in the space are considered as candidate TOAs of reflections and the only remaining unknowns are their amplitudes w. The unknown number of reflections is estimated asD = w 0 , where · 0 counts the number of non-zero elements of the vector. These elements correspond to the scaling coefficients β i in (1). For the early part of the AIR, w is expected to be sparse as the reflection density is low.…”
Section: B Initial Parameter Estimationmentioning
confidence: 99%
“…It offers warmth to the sound and it is desirable in the case of music [1]. In the case of speech, it can degrade the performance of Automatic Speech Recognition (ASR) systems and impact intelligibility [2].…”
Section: Introductionmentioning
confidence: 99%