Archaeology and Virtual Simulation Restoration of Costumes in the Han Xizai Banquet Painting

Abstract

Based on 3D virtual fitting technology, this paper simulates and reproduces the fabric patterns and sewing processes of 12 characters’ costumes in different scenes on the basis of completing the archaeology of the characters’ costumes in the painting, so as to realize the 3D virtual sewing and digital simulation restoration of the characters costumes. This paper draws the style diagram, structure diagram and 3D virtual simulation diagram of the character costumes in the painting. The article further improves the research on the costumes of the Five Dynasties and Ten Kingdoms, which has a certain reference value for the study of ancient character costumes and the promotion of Chinese garment culture. At the same time, it provides a reference for the design of artistic works such as character costumes in film and television and games.

Exploration of a virtual restoration practice route for architectural heritage based on evidence-based design: a case study of the Bagong House

“…The introduction of digital restoration technology into the field of heritage conservation has become a common aim among scholars from various countries, whether in paper-cut patterns [ 24 ], clothing [ 25 ], other movable areas, the Great Wall [ 26 ], the Terracotta Warriors and Horses [ 27 ], frescos [ 28 , 29 ], wooden churches [ 30 ], ancient sites [ 31 ], and watchtowers [ 32 ]. Therefore, the application of digital restoration to architectural heritage is the topic of this article.…”

Research on Digital Restoration of Plain Unlined Silk Gauze Gown of Mawangdui Han Dynasty Tomb Based on AHP and Human–Computer Interaction Technology

“…The emergence of the 3D modeling method of costume based on pattern-stitching technology provides a feasible method for the rapid 3D modeling of costume [26][27][28][29]. Liu et al used virtual try-on technology to restore the costumes in the Han Xizai Banquet Painting [30]. Wijnhoven and Moskvin used parameterization, computer-aided design and physically based rigid body simulation to reconstruct the Vimose coat of mail, dating to AD 150-220 [14].…”

Study on digital protection and innovative design of Qin opera costumes

“…Cultural heritage can be protected through digital technology, virtual visualization technology and so on. As a product of the development and dissemination of the Internet, digital technology is widely used in architecture [6], culture [7], tourism [8], clothing [9], archaeology [10,11] and so on. Digital technology can improve work quality and efficiency and reduce the damage probability of Cultural Heritage [12].…”

“…There is no high-quality literature on the research of integrating artificial intelligence, virtual reality and other technologies into the digital protection and innovative design of Qin costume. There have been relevant studies on the restoration and protection of costume by using pattern-based 3D modeling and human-computer interaction technologies [9][10][11], and some progress has been made. 3D innovative design based on costume elements is a new research field.…”

“…At present, fashion design is only to meet people's psychological and physiological needs, not to carry forward a certain culture or promote the dissemination of culture. Combining digital technology with clothing pattern-making to restore ancient famous paintings, and comparing the effects of clothing models made of different patterns in the virtual visualization environment to reconstruct ancient Chinese clothing, which has relative reference value for studying ancient Chinese clothing and carrying forward Chinese clothing culture [9].…”