Application of materials-engineering research to Indian traditional artforms, A case-study: Bhujakeerthi of Yakshagana

Somayaji, Shashiraj; Narahari,; Srivatsa, Shivashankar R.; Pranav, D.M.

doi:10.1016/j.matpr.2020.12.398

Cited by 2 publications

(1 citation statement)

References 6 publications

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“…Due to the ability to accumulate traditions, socio-psychological attitudes, aesthetic needs of people, the suit can represent the world of spiritual and meaningful landmarks, everyday life and way of life, making up the cultural and historical era as a whole in its basic meanings (Kumpikaitė & Milašius, 2021;Peng & Dong, 2017). Traditional clothing, being an important factor of ethnic-identification and a repository of values and meanings of a particular culture, can form a person's personality as a bearer of the norms and values of his native culture, to establish processes of tolerance and national-cultural identity (Ermilova, 2020;Minhus & Huie, 2021;Somayaji et al, 2021) and serves as a cultural and creative object (Meng & Xiao, 2021;Montusiewicz et al, 2021;Nayak et al, 2021;Proje & Bizjak, 2018), most relevant to the design activities of the bachelor-designers suit.…”

Section: Problem Statementmentioning

confidence: 99%

Project Activity Of Bachelor-Designers Of The Costume In Regional Universities

Zaytseva¹

2022

The European Proceedings of Social and Behavioural Sciences

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The article highlights the issue of improving the professional training of bachelor-costume designers in regional universities based on the use of an approach to the organization of project activities, considering the ethnocultural component. The relevance and timeliness of inclusion in the project activities of creative projects of ethnocultural orientation are substantiated, allowing students to familiarize themselves with the formation of a respectful attitude to the cultural values of other nations, especially in such a multicultural transboundary region such as the Far East. For the implementation of the educational process within the framework of project activities, this approach can be implemented through the implementation of creative ethnic projects of various orientations related to the reconstruction of a traditional costume, the development of stage costumes, the design of modern clothes, and accessories in ethnic style. In this study, an educational algorithm for including the ethnocultural component in project activities has been developed and tested on the example of creating stage costumes based on the traditional Koryak costume for the dance group of the Song and Dance Ensemble of the Pacific Fleet of the Ministry of Defense of the Russian Federation. The developed approach and algorithm will make it possible to implement design projects in the course of project activities in the areas proposed in this study: reconstruction and development of traditional stage costumes in addition to the Koryak one, and for other autochthonous peoples of the Far East, as well as the creative transformation of the ethnic and cultural heritage of indigenous peoples in a modern costume.

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Section: Problem Statementmentioning

confidence: 99%

Project Activity Of Bachelor-Designers Of The Costume In Regional Universities

Zaytseva¹

2022

The European Proceedings of Social and Behavioural Sciences

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A Technical Approach for Promotion of Yakshagana - A Literature Survey

Murthy¹,

Nethravathi

2021

IJCSBE

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Background/Purpose: Yakshagana is a theatre style that combines varieties of make-up styles and dressing styles depending on the type of character or role that is to be played on the stage. This article briefly discusses certain areas of Yakshagana where technology can be used for object detection and make-up recognition to classify and identify the characters. Objective: The main objective of this literature survey is to summarize the techniques used to identify different objects in a Yakahagana image & to identify the different makeup styles to recognize the type of characters. This paper also recommends the technical methods that can be used to promote Yakshagana. Methodology: Information is collected from various scholarly articles, books, and web pages. Findings/Results: Based on the analysis of the papers reviewed, it is observed that, no much work is carried out in the field of object detection & make-up detection in Yakshagana. This survey paper recommends techniques and the methodology that can be applied to the Yakshanaga field to identify and classify the objects and detect the patterns in makeup in Yakshagana roles. Limitations: The study is limited to crown & jewelry detection and pattern recognition in facial makeup in Yakshagana Originality: This paper focuses on the summary of techniques used to identify the objects, facial recognition, and pattern in make-up detection. Paper Type: A Literature survey paper on techniques and methods used to meet the required objectives.

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Application of materials-engineering research to Indian traditional artforms, A case-study: Bhujakeerthi of Yakshagana

Cited by 2 publications

References 6 publications

Project Activity Of Bachelor-Designers Of The Costume In Regional Universities

Project Activity Of Bachelor-Designers Of The Costume In Regional Universities

A Technical Approach for Promotion of Yakshagana - A Literature Survey

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