Antropología visual, performances y hermenéutica.  Experiencia de ver, escuchar y participar en Huautla de Jimenez,  (Oaxaca, México)

Alvarez, Gabriel O.

doi:10.22456/1984-1191.85254

Cited by 2 publications

(2 citation statements)

References 4 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…El video nos permite incorporar aspectos estéticos, arte, música, sensorialidad. A través de la antropología visual podemos mostrar cosas que no se ven y escuchar cosas que no son dichas, performances que no se reducen a datos de lo sensible y son producto de complejas experiencias de campo, con sus momentos reflexivos (Alvarez, 2017…”

Section: Desdoblamientosunclassified

Roberto Cardoso de Oliveira: una Antropología Reflexiva

Alvarez

2020

Vibrant, Virtual Braz. Anthr.

Self Cite

View full text Add to dashboard Cite

Resumen Este artículo analiza la trayectoria y la obra de Roberto Cardoso de Oliveira. Siguiendo su metodología hermenéutica, se analizan las monografías ejemplares y conceptos claves a lo largo de su trayectoria académica. Esta trayectoria fue dividida en el joven Roberto Cardoso de Oliveira, etnólogo y el viejo Roberto Cardoso de Oliveira, humanista con una mirada hermenéutica. El análisis explora la dimensión reflexiva en la obra del autor, tanto en el trabajo de campo como en la escrita, así como la reflexión que la etnografía despierta en el público. El trabajo finaliza sugiriendo algunos desdoblamientos de la perspectiva antropológica del autor en el campo de la antropología visual, rituales y performances.

show abstract

Section: Desdoblamientosunclassified

Roberto Cardoso de Oliveira: una Antropología Reflexiva

Alvarez

2020

Vibrant, Virtual Braz. Anthr.

Self Cite

View full text Add to dashboard Cite

show abstract

“…The use of photography as a research tool in anthropology and ethnography has provoked theoretical discussions regarding its use from a methodological perspective or as a research source. According to Gabriel Álvarez, 3 to do phenomena, even when they are absent or not visible during field research, because it "overflows its visual function" and becomes "a mixture of exterior/interior". 4 Following Maureen Bisilliat on "writing with the image and seeing with the word", I propose to think about the image-word relationship in ethnographic research, considering photography as textuality, since ethnography is nourished by the experience with different forms of knowledge and implies a reflexive movement.…”

Section: Introductionmentioning

confidence: 99%

Images and ethnography: issues of opacity and misconception

Porfírio

2022

JHAAS

View full text Add to dashboard Cite

In this article I intend to debate the place that images occupy in ethnographic research and their methodological interest, which characterizes the conditions for the insertion of a visual character in the ethnographic narrative. According to Novaes,1 images communicate and, even in silence, it is necessary to take into account what they have to say, especially in empirical work. In this way, the article will focus on photography as an instrument that opens in gestures and expressions for field research, to think about its use as a production technology for the construction of a visual ethnographic narrative, such as the experience of ethnographic cinema, which will be presented shortly. The hypothesis to be developed here is whether photography can operate as a translation of knowledge gathered in the field. For this, it is important to highlight the methodological interest in the use of the image from the researcher- photographer to the researcher-filmmaker and, as an example, the ethnographic film Les Maîtres fous (The Crazy Teachers), by Jean Rouch2 is analyzed.

show abstract

Antropología visual, performances y hermenéutica. Experiencia de ver, escuchar y participar en Huautla de Jimenez, (Oaxaca, México)

Abstract: .

Cited by 2 publications

References 4 publications

Roberto Cardoso de Oliveira: una Antropología Reflexiva

Roberto Cardoso de Oliveira: una Antropología Reflexiva

Images and ethnography: issues of opacity and misconception

Contact Info

Product

Resources

About