2012
DOI: 10.1525/mp.2012.29.4.339
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Analyzing Expressive Qualities in Movement and Stillness: Effort-Shape Analyses of Solo Marimbists' Bodily Expression

Abstract: laban movement analysis, specifically effort-shape analysis, is offered as a system to study musicians' bodily expression. It proposes others' intentions are manifest in expressive bodily activity and understood through shared embodied processes. The present investigation evaluates whether the basic components of Laban analysis are reflected in perceptual judgments of recorded performances and, specifically, evaluates interjudge reliability for effort-shape analysis. Sixteen audio-visual excerpts of marimba pi… Show more

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Cited by 12 publications
(40 citation statements)
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“…Moreover, from the LMA perspective, the BEAs, when performed by a CMA and subsequently validated as accurate by another CMA, can then be unambiguously recognized with no significant variations across any other number of CMAs. This is also corroborated by previous studies cited in our related works [5].…”
Section: Methodssupporting
confidence: 93%
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“…Moreover, from the LMA perspective, the BEAs, when performed by a CMA and subsequently validated as accurate by another CMA, can then be unambiguously recognized with no significant variations across any other number of CMAs. This is also corroborated by previous studies cited in our related works [5].…”
Section: Methodssupporting
confidence: 93%
“…LMA's inter-rater reliability among expert observers has been assessed in early works of psychologist Martha Davis [8]. Stevens et al also showed a significant inter-rater reliability of the Effort Factors on observation of curated video specimen of solo Marimbists' bodily expression [5]. These studies have shown that LMA can be considered as a reliable expert observational model of movement qualities.…”
Section: Observing Movement Qualitiesmentioning
confidence: 99%
“…Furthermore, the movements necessary to play the marimba are obvious, occurring external to the body, and thus closely allied to the produced sounds. Self-analysis, using the effort-shape analytical system ( Broughton and Stevens, 2012 ), is compared to analyses conducted by two other expert musicians – one a percussionist, the other a singer. We expect that individual differences in embodied expertise to help explain differences between participants’ effort-shape analyses.…”
Section: Introductionmentioning
confidence: 99%
“…The present study focuses on embodied expression, as a facet of performance quality, and uses effort-shape analysis as the assessment scheme. The effort-shape analysis system has previously been subjected to inter-judge reliability assessment ( Broughton and Stevens, 2012 ). The present study not only uses this analytical system, but also generates new data to add to the evaluation of its efficacy as a tool for analyzing musicians’ expressive bodily behaviors.…”
Section: Introductionmentioning
confidence: 99%
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