An applied study on women's poverty in Turkey in the context of the capability approach

Abstract

PurposeThe purpose of this study is to present a detailed picture of the poverty conditions of women in Turkey in the context of the capability approach. In other words, it is to analyze their perception of how much women in Turkey can benefit from economic opportunities, political freedoms and social opportunities and to what degree they can have protective security services and transparency assurance.Design/methodology/approachThe field study was conducted in seven cities across Turkey with 741 women. Data from the field study were gathered by using the survey method. A 5-point Likert scale that was developed by the researchers and comprised of 39 statements.FindingsAccording to the scale means of the instrumental freedoms obtained from the survey study, it cannot be claimed that women in Turkey have a completely negative perception of all of the instrumental freedoms. However, if the instrumental freedoms are compared to each other, it is seen that the participants have different perceptions of these instrumental freedoms.Originality/valueThis study basically discusses the issues of women's poverty and freedom in Turkey. In this context, the capability approach by Amartya Sen and capability deprivation; in other words, “being deprived of capabilities”, that is prominent in this approach form the basis of the study. The issue of women's poverty in Turkey is dealt with through deprivations in this study in contrast to the poverty conceptualizations through the individuals' income or expenditure levels.

Mengukur Dampak Pendidikan, Pengangguran, Pengeluaran Perkapita, Inflasi terhadap Kemiskinan Dan Gini Ratio di Kota Makassar

“…Dampaknya, mereka menjadi miskin. Aksesibilitas yang rendah terhadap pendidikan dan kesehatan serta berbagai macam fasilitas publik lainnya, menjadi penyebab munculnya kemiskinan (Basu, 2020;Bhatiacgarjea, 2020;Bossert et al, 2019;Burchi et al, 2020Burchi et al, , 2020Topuz & Erkanlı, 2020;Yamamori, 2019).…”