2015
DOI: 10.1016/j.specom.2014.09.007
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Affective prosody in European Portuguese: Perceptual and acoustic characterization of one-word utterances

Abstract: A perceptual and acoustic characterization was provided on the expression of liking and disliking in the European Portuguese language. Thirty participants identified vocal patterns and judged the intensity of expressed affect in one-word items recorded by six untrained speakers. Listeners consistently associated vocal profiles with the two emotional patterns of liking and disliking. However, liking intonation was easier to recognize than disliking intonation. The feature most commonly associated with liking in… Show more

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Cited by 4 publications
(4 citation statements)
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“…High-frequency stimuli are used with an acquisition age equal to or less than 5 selected through the written lexical databases PORLEX (Gomes & Castro, 2003) and CORLEX (Nascimento, Casteleiro, Marques, Barreto, & Amaro, 2009), as well as a study of age of acquisition of Portuguese words (Cameirão & Vicente, 2010). For the recording of the audio stimuli, and given that the intonation patterns used in the expression of liking and disliking in EP were largely unknown, a study was performed to provide a systematic account of these prosodic patterns (Filipe et al, 2015). The results show that, as in English, in EP liking has a pattern expressed by rise–fall pitch movements.…”
Section: Methodsmentioning
confidence: 99%
See 1 more Smart Citation
“…High-frequency stimuli are used with an acquisition age equal to or less than 5 selected through the written lexical databases PORLEX (Gomes & Castro, 2003) and CORLEX (Nascimento, Casteleiro, Marques, Barreto, & Amaro, 2009), as well as a study of age of acquisition of Portuguese words (Cameirão & Vicente, 2010). For the recording of the audio stimuli, and given that the intonation patterns used in the expression of liking and disliking in EP were largely unknown, a study was performed to provide a systematic account of these prosodic patterns (Filipe et al, 2015). The results show that, as in English, in EP liking has a pattern expressed by rise–fall pitch movements.…”
Section: Methodsmentioning
confidence: 99%
“…Specifically, it uses the difference between like and dislike intonation. As the intonation patterns used in the expression of liking and disliking in EP were largely unknown, a study was performed to provide a systematic account of these prosodic patterns (Filipe, Branco, Frota, Castro, & Vicente, 2015). The results showed that, as in English, in EP the meaning of liking is expressed by rise–fall pitch movements.…”
mentioning
confidence: 99%
“…However, these works all support the–for us–central point that prosody extends far beyond individual syllables or segments into the broader set of organizations supporting language as an embodied behavior that extends across space and time. Changes in prosody can add meaningful valence to single-word utterances (Filipe, Branco, Frota, Castro, & Vicente, 2014; van Zyl & Hanekom, 2013). The suprasegmental organization of prosody might wrap meaningfully around single-word utterances, but perhaps even such brief speech streams allow prosody sufficient time to wrap meaningfully around individual phonemes – and what could be more difficult, around individual phonemes out of proper order.…”
Section: Introductionmentioning
confidence: 99%
“…Validated emotional prosody stimulus materials available for research in European Portuguese (EP) are not suitable to address lexico-prosodic integration. To our knowledge, available materials are limited to a set of emotion-specific prosodic patterns in sentences and pseudo-sentences (Lima & Castro, 2010), and a set of valence-specific (liking vs. disliking) prosodic patterns used on neutral words (Filipe et al, 2015). These materials are suitable for studying the explicit labelling of emotions (e.g., Castro & Lima, 2014;Correia et al, 2019), but, given the absence of conflicting prosodic vs. lexical cues in these stimuli, lexico-prosodic integration is left out.…”
Section: Rationale Behind Stimulus Creation and Validationmentioning
confidence: 99%