2018
DOI: 10.5057/isase.2018-c000007
|View full text |Cite
|
Sign up to set email alerts
|

Affective Color Theme Generator for Visual-Textual Design: The Exploration of 3-Color for Banner Design

Abstract: Color design is a crucial component in creating an appealing media presentation. Designers always prepare many color themes in their design work, while it is not an easy work for non-designers to obtain suitable colors. In this paper, we propose an affective color theme generation approach for exploring of 3-color themes. Banner design acts as an initial application. First, we create a color form with overlapped blocks for the evaluation samples of color theme, and conduct the evaluation experiment to gain the… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
3
1
1

Citation Types

0
5
0

Year Published

2019
2019
2021
2021

Publication Types

Select...
2

Relationship

1
1

Authors

Journals

citations
Cited by 2 publications
(5 citation statements)
references
References 11 publications
0
5
0
Order By: Relevance
“…One of the components of visual complexity is text color variety that entails the use of two or three text colors to reduce the cognitive load of the user (Debernardis et al, 2013;Qiu et al, 2018). Parameter such as "Correspondence between headline and main text" and "Absence of obvious grammatical and stylistic errors" affect the reader's attitude to the publication and the authority of the source.…”
Section: Research Contextmentioning
confidence: 99%
See 2 more Smart Citations
“…One of the components of visual complexity is text color variety that entails the use of two or three text colors to reduce the cognitive load of the user (Debernardis et al, 2013;Qiu et al, 2018). Parameter such as "Correspondence between headline and main text" and "Absence of obvious grammatical and stylistic errors" affect the reader's attitude to the publication and the authority of the source.…”
Section: Research Contextmentioning
confidence: 99%
“…For the "Graphics color harmony" criterion, we analyzed the compliance of the poster design with the requirements of contrast preservation through the use of analogue, complementary, triad or contrast colors. Approximately three primary colors for the overall background and palette of the main blocks are the best solution from the user experience (Qiu et al, 2018). Color balance refers to the choice of the primary, the secondary and the third color in approximate proportions or 60-30-10 (Ferris & Zhang, 2016), 70-25-5 (Kobayashi, 2009) or 74-22-4 (Qiu et al, 2018), etc., which also corresponds to the user experience.…”
Section: Research Contextmentioning
confidence: 99%
See 1 more Smart Citation
“…For an input theme λ, we define a vector x l where l ∈ [1,2,3] which are corresponding to base, assort and accent colors. A vector x li expresses the presence or absence of hue and its categories.…”
Section: Feature Vectorsmentioning
confidence: 99%
“…In our preliminary study [2], we propose an approach for affective color theme generation for visual-textual design. Considering of visual-textual presentation media that texts overlay on the background color or image, a 3-color theme which is shown as overlapped blocks with different color areas are designed.…”
Section: Introductionmentioning
confidence: 99%