Actualización de la ópera y sus nuevos modelos de comunicación digital

Lacasa-Mas, Iván; Villanueva-Benito, Isabel

doi:10.3145/epi.2012.jul.14

Cited by 7 publications

(1 citation statement)

References 10 publications

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“…The challenge extends beyond statistical representation, aiming to establish a meaningful and lasting relationship with the younger audience, securing the future of opera as a cherished and relevant cultural pursuit. The Metropolitan Opera in New York made history in 2008 by becoming the first opera house to introduce a streaming platform [11] . "Subsequently, other renowned opera houses such as the Bavarian State Opera in Munich, the Teatro Real in Madrid, and the Wiener Staatsoper in Vienna followed suit.…”

Section: Is Opera Still Irreplaceable When New Issues Arise?mentioning

confidence: 99%

Critical assessment of the impacts of digital technological developments on opera companies and consumers through production and consumption

2023

mediacr

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This article critically assesses the impact of digital technological developments on opera companies and consumers. It examines the production and consumption implications, with a focus on streaming opera and audience engagement. The study highlights the transformative role of digitalization in the opera industry and its effects on traditional viewing relationships. It discusses the challenges faced by opera companies in adopting digital platforms and the potential benefits in reaching a wider audience. The article also emphasizes the need to attract new audiences, particularly the younger generation, and explores strategies for making opera more accessible. Overall, it provides a comprehensive analysis of the evolving landscape of opera in the digital age, shedding light on the opportunities and challenges that arise from digital technological advancements.

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Section: Is Opera Still Irreplaceable When New Issues Arise?mentioning

confidence: 99%

Critical assessment of the impacts of digital technological developments on opera companies and consumers through production and consumption

2023

mediacr

View full text Add to dashboard Cite

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Digital challenges for creative industries: case of opera

Trubnikova

Tsagareyshvili

2021

SHS Web Conf.

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Digital technologies today are seen as a powerful driving force of creative industry growth. The authors reveal the development of operatic theatre as a significant entity of a new market reality - the economy of impressions. Notwithstanding the fact that the majority of opera houses are state funded, the issue of economic efficacy is gaining relevance for theaters; increasingly more attention is paid to promoting theatrical product. Despite the fact that the eliteness of operatic art and loyalty to tradition poses restrictions on implanting new instruments of theater branding. active digitization of the opera product is the only plausible means of attracting the attention of the new generations who are used to this format of representing cultural content. This dilemma is analyzed in the article on the basis of the data yielded by a field study in the form of a survey involving Russian and Italian opera lovers.

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