2008
DOI: 10.1016/j.jvoice.2006.09.006
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Acoustic and Perceptual Analyses of Brazilian Male Actors' and Nonactors' Voices: Long-term Average Spectrum and the “Actor's Formant”

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Cited by 52 publications
(59 citation statements)
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References 15 publications
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“…The acoustic evaluation, from the clinical point of view, complements the findings observed on the auditory perceptual analysis and on the laryngoscopic evaluation (14,15,16). There was a significant increase on fundamental frequency post-STVT (Table 2).…”
Section: Discussionsupporting
confidence: 56%
“…The acoustic evaluation, from the clinical point of view, complements the findings observed on the auditory perceptual analysis and on the laryngoscopic evaluation (14,15,16). There was a significant increase on fundamental frequency post-STVT (Table 2).…”
Section: Discussionsupporting
confidence: 56%
“…In a listening test, ten judges were presented with pairs of stimuli, and they selected the resonant productions to be louder than the constricted productions 80% of the time. Perhaps the actors in the Master et al (2008) study were well trained in resonant voicing, which may have accounted for those actors sounding louder than non-actors.…”
Section: Loudness and Actorsmentioning
confidence: 99%
“…The present results suggest that the explanation for such perceptual differences may be due to modifications in articulation. That is, assuming the actors in the Master et al (2008) study were well trained in articulation, then articulatory differences may have been responsible for significant differences in perceived loudness.…”
Section: Inter-rater Reliabilitymentioning
confidence: 99%
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“…LTAS has been used widely to describe voice production in healthy and impaired (i.e., dysphonic) populations (Master et al, 2008). For example, Dromey (2003) Hz compared to an FSP of 496 Hz for young male speakers.…”
Section: Ltasmentioning
confidence: 99%