2022
DOI: 10.1002/smj.3373
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Achieving cultural resonance: Four strategies toward rallying support for entrepreneurial endeavors

Abstract: Research Summary We theorize the strategies that entrepreneurial actors employ to instill their endeavors with culturally resonant meanings and rally the support of key audiences (investors, analysts, or customers). In extant cultural entrepreneurship research, endeavors are assumed to achieve resonance and gain support when actors deploy the culture they share with their targeted audiences. But what if actors and audiences hold cultural repertoires that poorly overlap? We consider actors' efforts to “mobilize… Show more

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Cited by 19 publications
(17 citation statements)
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References 110 publications
(281 reference statements)
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“…Entrepreneur's trustworthiness. Our study highlighted the central need that entrepreneurs have to develop trust in deprived contexts, something that has been overlooked by the cultural entrepreneurship literature (e.g., Soublière and Lockwood, 2022). Instability and a lack of trust is more likely to be present in roaming, informal and opportunistic market trading that adorns urban centres (Khavul et al, 2009).…”
Section: A Model Of Place-based Cultural Entrepreneurshipmentioning
confidence: 79%
See 2 more Smart Citations
“…Entrepreneur's trustworthiness. Our study highlighted the central need that entrepreneurs have to develop trust in deprived contexts, something that has been overlooked by the cultural entrepreneurship literature (e.g., Soublière and Lockwood, 2022). Instability and a lack of trust is more likely to be present in roaming, informal and opportunistic market trading that adorns urban centres (Khavul et al, 2009).…”
Section: A Model Of Place-based Cultural Entrepreneurshipmentioning
confidence: 79%
“…Much of the work falls under the umbrella of cultural entrepreneurship, a strand of research viewing culture as a rich and flexible "repertoire" of elements that entrepreneurs can use to gain the approval and support of key stakeholders through entrepreneurial storytelling Glynn, 2001, 2019;Garud et. al., 2014a;Soublière and Lockwood, 2022).…”
Section: Theoretical Background Cultural Entrepreneurshipmentioning
confidence: 99%
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“…For instance, metrics are critical for investors and analysts in nascent industries (Beunza & Garud, 2007; Shen et al, 2021), but they may matter less to the media or customers. Moreover, although investors and firms in our setting shared a strong desire for the outcome (i.e., profitability), the persuasiveness of prospective arguments may be reduced when an outcome is not commonly desired or shared by firms and stakeholders alike (Soublière & Lockwood, 2022). Future work could thus explore other nascent market elements and audiences to better understand when prospective legitimation is most effective.…”
Section: Discussionmentioning
confidence: 99%
“…Indeed, exploratory accounts highlight how a category's salience often changes in nonlinear and idiosyncratic ways over time (Hsu & Grodal, 2021; Logue & Grimes, 2022). Among others, a market category may become more or less salient in the eyes of the general public—or specific audiences—due to the emergence or decline of other categories that directly compete for consumer attention with the focal category (Grodal et al, 2015; Suarez et al, 2015), due to changes in other categories that influence the focal category's perceived meaning and appeal (Hsu & Grodal, 2021; Lounsbury & Rao, 2004), due to shifts in audiences' norms, values, beliefs, and aspirations (Soublière & Lockwood, 2022), or certain high‐profile events that generate attention to the category (Pontikes & Barnett, 2017; Soublière & Gehman, 2020). Our subsequent theorizing is agnostic about the drivers that lead to changes in a market category's salience and rather focuses on how different levels of category salience will shape the effectiveness of social impact and innovativeness frames.…”
Section: Theoretical Background and Hypothesesmentioning
confidence: 99%