1933
DOI: 10.1121/1.1915641
|View full text |Cite
|
Sign up to set email alerts
|

A Uni-Directional Ribbon Microphone

Abstract: Directivity has been found to be desirable in sound collecting systems to improve the ratio of direct to generally reflected sounds and to otherwise discriminate against undesirable sounds. The bi-directional ribbon microphone is a pressure gradient instrument in which the response corresponds to the velocity component in a sound wave. By using a mass controlled element the velocity of the ribbon is in phase with the velocity in a sound wave. By a suitable combination of this microphone with a pressure-operate… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
4
1

Citation Types

0
5
0

Year Published

1939
1939
2023
2023

Publication Types

Select...
5
2
1

Relationship

0
8

Authors

Journals

citations
Cited by 28 publications
(5 citation statements)
references
References 0 publications
0
5
0
Order By: Relevance
“…Directional microphones have been investigated since the 1930s, with the first commercially produced ribbon microphone invented by Harry F. Olson et al having dimensions of about 30 cm 10 cm 6.5 cm [1]. It provided a cardioid directivity pattern and was widely used in the broadcast and recording industries.…”
Section: Introductionmentioning
confidence: 99%
“…Directional microphones have been investigated since the 1930s, with the first commercially produced ribbon microphone invented by Harry F. Olson et al having dimensions of about 30 cm 10 cm 6.5 cm [1]. It provided a cardioid directivity pattern and was widely used in the broadcast and recording industries.…”
Section: Introductionmentioning
confidence: 99%
“…In this case, if we want to steer the main lobe to direction θ s = 0, we can set the desired beampattern as in (30).…”
Section: Least Square Methodsmentioning
confidence: 99%
“…The concept of the DMA evolutes from the directional ribbon microphone [ 30 , 31 ] responding to the sound pressure gradient field instead of the sound pressure field. The gradient direction of the sound field is parallel with the propagating direction of the sound, and the maximum directional derivative is in the gradient direction of the sound field.…”
Section: Introductionmentioning
confidence: 99%
“…Beamforming with microphone arrays has attracted much attention recently due to its wide range of applications, such as hands-free voice communications and human-machine interfaces (Brandstein and Ward, 2001;Benesty et al, 2008;Benesty et al, 2017). Many beamforming algorithms were developed in the literature such as the delay-and-sum (DS) beamformer (Schelkunoff, 1943), broadband beamformers based narrowband decomposition (Doclo and Moonen, 2003;Benesty et al, 2007;Capon, 1969;Frost, 1972) and nested arrays (Zheng et al, 2004;Kellermann, 1991;Elko and Meyer, 2008), modal beamformers (Torres et al, 2012;Yan et al, 2011;Koyama et al, 2016;Park and Rafaely, 2005), superdirective beamformers (Cox et al, 1986;Kates, 1993;Wang et al, 2014), and differential beamformers with differential microphone arrays (DMAs) (Elko, 2000;Elko and Meyer, 2008;Chen et al, 2014;Pan et al, 2015b;Abhayapala and Gupta, 2010;Weinberger et al, 1933;Olson, 1946;Sessler and West, 1971;Warren and Thompson, 2006). Among these, differential beamformers are now widely used in a wide spectrum of small devices such as smart speakers, smartphones, and robotics, primarily because they exhibit frequency-invariant beampatterns and can achieve high directivity factors (DFs) with small apertures.…”
Section: Introductionmentioning
confidence: 99%
“…The basic principle of DMAs can be traced back to the 1930s when directional ribbon microphones were developed (Weinberger et al, 1933;Olson, 1946). Since then, much effort has been devoted to the design and study of DMAs from different perspectives.…”
Section: Introductionmentioning
confidence: 99%