A teatralidade como um choque entre visualidades (e a questão da realidade em cena)

Abstract

A teatralidade como um choque entre visualidades (e a questão da realidade em cena) 212Urdimento, v.1, n.22, p211 -218, julho 2014Rejane Kasting Arruda 212 AbstractThe refusal of a closed diagetc universe's visuality, where the individual is implicated in intersubjective relations to be represented, is articulated to a modern building of knowledge on the contemporary subject which, in turn, implies poststructuralist propositions. It is postulated the need for a new theory about the dramatic, which could be articulated to the problematization of a fragmented subject (other than the notion of the individual). For this, it is built the perspective of the visual fragmentation of reality, so that fragments may be used as materials in the game of theatricality which the dramatic implies; the framing as a key concept, coming to the audience's eye as what is estranged; and the notion of poetic (arising from Jakobson) as which makes the reference to falter.

Performando a Teatralidade no Jogo de Enquadramentos: repensando a tessitura do dramático

“…Visuality is understood as the property of the object to allow being seen or as what one can see.5 Concept developed in the text A Teatralidade como um Choque entre Visualidades a Questão da Visualidade em Cena [Theatricality as a Clash between Visualities: the Question of Visuality in Scene], published by the Urdimento Journal in 2014(Arruda, 2014). 6 Here the notion of sublime "[…] that, as Lyotard said well, always insists on evading as impossible of the formalization"(Fernandes, 2010, p. 38) can also be articulated.7 The term plasticity is being used as property of a framing transformation.…”