The tau effect, an effect of temporal intervals on the perception of spatial separation or sensory difference, has been observed in various sense modalities, including pitch bisection judgments in audition. However, systematic studies on the mechanism of the auditory tau effect have been rather scarce. In the present study, experiments were carried out using the AXB method to investigate the auditory tau effect on the pitch perception of pure tones (Experiment 1), the auditory tau effect on perception of the lei-Iii, , and the kappa effect-an effect of sensory differences on the perception of temporal intervals-on the perception of pure tones and synthetic vowels (Experiment 3). The results demonstrated that the auditory tau effect occurs not only in the pitch perception of pure tones, but also in the phonetic perception of the III-Iii and Iii-III continua of synthetic vowels. The reverse pattern of results was obtained in the lei-Iii and Iii-lei continua. The kappa effect was found both in the pitch perception of pure tones and in phonetic judgments of synthetic vowels. These findings suggest that the interaction between temporal interval and pitch (or phonetic) perception can be explained on the basis of the integration of forward and backward context effects, and that the auditory tau and kappa effects occur at an early stage of auditory information processing.Many experiments have been conducted on the timespace relationship in perception. For example, the tau effect is usually cited as evidence for the dependence of space perception on time. The tau effect was first identified by Helson (1930) in tactile perception. He found that when two points are stimulated successively, the perceived distance between the points varies as a function of the temporal interval separating the two points. More specifically, if three points are marked off on an observer's skin and the temporal interval between the stimulation of the first and second points is greater than that between the second and third, the observer reports that the spatial distance between the first and second points is greater than that between the second and third, even though, in fact, it may be physically equal or less. A few years later, Geldreigh (1934) demonstrated an analogous effect in visual perception, and Billand Teft (1969) confirmedthis visualtau effect.Meanwhile, Cohen, Hansel, and Sylvester (1954), using the method of adjustment, found an effect similar to the tau effect in bisection judgments for pitch and labeled it the "auditory tau effect." If a subject hears, through headphones, a repeated succession of three different tones 9 of brief and equal duration and is asked to adjust the middle tone to appear to be intermediate in pitch between the other two tones, when the tone is temporally close to either of the two comparison tones it is judged as more different in frequency than when it is more temporally distant. Cohen, Christensen, and Ono (1974) found that this auditory tau effect occurs monaurally as well as binaurally, and they prop...