A médias nouveaux, questions nouvelles

Miège, Bernard; Pajon, Patrick; Salaün, Jean-Michel

doi:10.3406/reso.1985.1189

Cited by 3 publications

(3 citation statements)

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“…Zallo (1988) divides them into three groups: (a) the importance of creative work; (b) the requirement to constantly renew products; and (c) the random nature of the demand. We could also mention: (d) a certain non-elasticity of demand; (e) a greater variety of forms of labour remuneration in comparison with other industrial sectors; (f) a dual articulation between the hardware and content industries; and (g) the particularities of consumption in the area of culture (Miège et al, 1986;Tremblay, 1990).…”

Section: Culture Industry Theorymentioning

confidence: 98%

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Power, Media, Culture

Albornoz¹

2015

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This series contributes to exploring, in creative and transdisciplinary manners, the challenges posed by fast-evolving communication developments in an increasingly connected world. It provides a venue for collecting state-of-the-art, sound and innovative scholarly perspectives on specific aspects of communication transformations.Due to ever-increasing global interactions among individuals, communities and communication devices, scholars face the challenge of rethinking the very categories -of space, time, boundaries and technology -through which communication and media studies have evolved, thus contributing to identifying and refining concepts, theories and methods to explore the diverse realities of communication in a changing world.The International Association for Media and Communication Research (IAMCR) has a long tradition of being a truly international academic association, with members working in all corners of the globe. This unique feature makes it possible to include in the Palgrave/IAMCR series contributions from highly diverse geocultural and disciplinary traditions.The series fosters and generates research that explores critical communication and media concerns from a variety of theoretical and methodological approaches. Outstanding contributions from non-Anglophone areas will also be made available to a global readership, after translation into English.

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Section: Culture Industry Theorymentioning

confidence: 98%

“…Some years later, Miège et al (1986) took up this distinction and systematized it into a typology of logics that structure the culture and communication sector. The works of Bustamante and Zallo (1988), and our own (Tremblay, 1990;Tremblay and Lacroix, 1991) were to complete this systematization effort.…”

Section: Culture Industry Theorymentioning

confidence: 99%

Power, Media, Culture

Albornoz¹

2015

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“…Radio, as a cultural industry representative of the flow culture (Bonet and Arboledas, 2011; Fernández Quijada, 2007; Flichy, 1980; Hesmondhalgh, 2002; Miège et al, 1986), conveys symbolic contents with a function of ideological and social reproduction. Consequently, each cultural product carries a national seal.…”

Section: Introduction: Understanding the European Contextmentioning

confidence: 99%

Sounds without borders: Exploring the cross-national expansion of commercial European Radio Groups

Bagant

Quijada

2021

European Journal of Communication

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This article aims to study how private European radio is becoming commercially international through the expansion of radio brands beyond their national market. It is the first ever analysis of the expansion strategies of radio groups across Europe, including their footprint in each market in which they operate, from the political economy of cultural industries. The article maps the main radio groups in Europe, analyses cross-national champions in depth and establishes three main types. This study shows that, thanks to the possibilities of a deregulated market, strengthening the role of the brand and the format, and the agreements with other groups, broadcasting radio has overcome the obstacles that, historically, hindered its cross-border expansion.

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Réseaux et la télévision

Pasquier¹,

Rebillard²

2021

Réseaux

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A médias nouveaux, questions nouvelles

Cited by 3 publications

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Power, Media, Culture

Power, Media, Culture

Sounds without borders: Exploring the cross-national expansion of commercial European Radio Groups

Réseaux et la télévision

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