A literature review of analytical techniques for materials characterisation of painted textiles—Part 1: categorising painted textiles, sampling and the use of optical tools

Thompson, Karen; Smith, Margaret J.; Lennard, Frances

doi:10.1080/19455224.2016.1269355

Cited by 6 publications

(7 citation statements)

References 9 publications

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“…These different objects are used in many different contexts and have a wide range of ornamental, social, political, and religious functions. The paint may be applied to just one area of the surface of a painted textile, which affects its appearance, function, decay and as well conservation, as the painted and unpainted parts have two clearly different surfaces [10].…”

Section: Major Differences Between Dyeing and Painting Techniquesmentioning

confidence: 99%

“…An indepth examination of the interface of the painted textile may indicate, for example, the possible existence of a ground layer. The condition of textiles as the presence of dirt, wrinkles, splits, peeling and erosion of the paint layers can also be documented [10].…”

Section: Visual Observationmentioning

confidence: 99%

“…UV-VIS microscopy uses fluorescence and phosphorescence to study the characteristics of organic or inorganic material. Moreover, it can provide distinct elaborated images of the coloured layers or the fibre morphology [10]. UV-VIS microscopy as well helps in the identification of weave structure, the torsion direction of the yarns and the used colouring techniques in archaeological fabrics either by painting or by dyeing [11] .The SEM allows greater detail, accuracy than the optical microscope [12].…”

Section: Introductionmentioning

confidence: 99%

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Archaeological Painted and Dyed Textiles: Studying Variations and Morphological Characteristics Using Microscopy Techniques

Al-Gaoudi¹

2021

J.Text.color. pol. sci.

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T HE MAIN objective of this study is to identify the differences between two important techniques of colouring and decorating textiles in ancient Egypt, namely the dyeing and painting and their influences on the morphology of archaeological textiles. In this study experimental samples were prepared from artificially aged dyed and painted linen textiles with some of the common pigments and natural dyes used in ancient Egypt, to obtain samples similar as possible to the archaeological ones. The samples were studied and investigated using a Scanning Electron Microscopy coupled with EDX unit (SEM-EDX) and Ultraviolet-visible (UV-VIS) microscopy. The results showed that the inorganic pigment particles are deposited on and in-between the fibres' surfaces, and serve as a protective coating for the fibres against the morphological deterioration caused by artificial ageing. In contrast, the dye molecules are small enough to penetrate and colour the fibres uniformly. They also decreased the degradation of the surface morphology of the fibres after ageing.

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Section: Major Differences Between Dyeing and Painting Techniquesmentioning

confidence: 99%

Section: Visual Observationmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

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Archaeological Painted and Dyed Textiles: Studying Variations and Morphological Characteristics Using Microscopy Techniques

Al-Gaoudi¹

2021

J.Text.color. pol. sci.

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“…However, in this experiment, we use a type of crepe that is a sheer fabric similar to georgette but softer. [11]…”

Section: E Crepementioning

confidence: 99%

A Comparison Study between Natural and Synthetics Fiber Cloth to Construct Uniqueness of Hand Painting Fashion Fabric

Naharani¹,

Zulaikha²,

Hadi³

2018

Proceedings of the 3rd International Conference on Creative Media, Design and Technology (REKA 2018)

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Images on fabric contributes significantly to the value of fashion product. The image can be a pattern or a picture. Nowadays, those images is made in various ways, by manually or by the help of technology, such as digital printing. Amid the use of sophisticated printing technology, the hand painting fabric technique remains exist and even increasingly demanded by the community. This is proven by the increasing numbers of orders experienced by the researcher who run a hand painting fabric fashion business for more than 3 years. Hand painting fabric provides unique value because of the story behind the making. Care should be taken in the making process as a work of art. Wearing a hand painting fashion is wearing an art work, beyond just wearing an ordinary cloth. However, producing a high quality and unique hand painting fashion depends on careful treatment by considering fabric characteristics, including the type of fabric fibers.There are two types of fabric fiber, synthetic and natural fiber. Both synthetic and natural fibers have different types of woven technique and lamination. Each type affects different painting technique that can be implemented. An object painted in natural fabric fiber cannot be easily replicated on synthetic fabric fiber. It will be slightly different in terms of its impression of shape, size or color. The method in this research is experimental. This study shows difference results in the painting because of the different types of fabric fiber used. This research gives recommendation on what technique can be implemented to produce desired painting, considering different character of natural and synthetic fabric fiber. The finding can strengthen the uniqueness of the painting as a crucial value for prospective consumers.

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“…Several articles describe the characterization of ancient liturgical textiles, their manufacturing process and dyeing techniques [1][2][3][4][5][6][7][8][9][10][11][12][13]. These studies are mainly devoted to the characterization of the materials and are generally performed by micro-invasive analytical techniques [8][9][10]14].…”

Section: Introductionmentioning

confidence: 99%

Chemical Characterization of Pope Pius VII Ancient Ecclesiastical Vestment by a Multi-Analytical Approach

et al. 2021

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This paper presents a multi-analytical investigation performed for the study of the ecclesiastical vestment, with insignia, of Pope Pius VII, painted from the end of the 18th up to the beginning of the 19th century, made of five clothing elements: chasuble, stole, maniple, chalice veil and purse. The aim of this research was to assess the conservation state of the silk and painted backgrounds; to define the manufacturing technique of the work; to localize, if present, the underdrawing and any retouching; to identify the pigments and, where possible, the binders used. A diagnostic protocol was developed based on preliminary investigations through multiband imaging techniques known as MBI (visible, ultraviolet-induced visible luminescence (UVL), near-infrared reflected (NIR) and infrared reflected false color (IRRFC) photography). The images acquired with MBI techniques ensured a more specific choice of spots to be analyzed directly in situ by non-invasive techniques. In particular, portable digital optical microscopy and X-ray fluorescence (XRF) were performed. Two fragments detached from the chasuble were also analyzed by microFT-IR, microRaman, scanning electron microscopy (SEM-EDS) and gas chromatography/mass spectrometry (GC-MS). Application of the multi-analytical protocol enabled the materials used to be characterized and helped to define the peculiar execution technique used. The presence of an underdrawing made with a carbon pencil was highlighted by MBI. Red lakes, iron-based pigments and copper-based pigments have been identified on the painting palette, applied with arabic gum as a binder.

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A literature review of analytical techniques for materials characterisation of painted textiles—Part 1: categorising painted textiles, sampling and the use of optical tools

Abstract: Smith & Frances Lennard (2017) A literature review of analytical techniques for materials characterisation of painted textiles-Part 1: categorising painted textiles, sampling and the use of optical tools,

Cited by 6 publications

References 9 publications

Archaeological Painted and Dyed Textiles: Studying Variations and Morphological Characteristics Using Microscopy Techniques

Archaeological Painted and Dyed Textiles: Studying Variations and Morphological Characteristics Using Microscopy Techniques

A Comparison Study between Natural and Synthetics Fiber Cloth to Construct Uniqueness of Hand Painting Fashion Fabric

Chemical Characterization of Pope Pius VII Ancient Ecclesiastical Vestment by a Multi-Analytical Approach

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