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The purpose of the present research was to compare the effect of different embedding and polishing procedures on the performances achievable with Fourier Transformed Infrared (FTIR) microscopy in Attenuated Total Reflection (ATR) mode. The attention was specifically focused on this technique since it is generally considered one of the most appropriate methods to analyze cross sections, thanks to the fact that the recorded spectra are similar to those collected in transmission mode. The research work was structured as a round robin among six different conservation and research laboratories. They were asked to embed fragments derived from the same area of a real sample following each one a different procedure. The performances of FTIR microscopy in ATR mode were evaluated on the different cross sections, considering the cross section morphology and the possible source of contamination. The cross sections were previously observed with optical microscopy, Environmental Scanning Electron Microscope (ESEM) and confocal microscopy. Three procedures were eventually selected, because they provided the best results in terms of both limiting the contamination of the embedding medium and achieving good contact with the ATR crystal. They were: a) embedding in KBr; b) cyclododecane pre-treatment before embedding in an organic resin and cutting of the sample; c) embedding in an organic resin and polishing with argon ion milling. These three procedures were finally compared and the weak points outlined, indicating where improvements could be made for further researches.

The article presents a review of the use of cross-section and staining techniques for investigating natural organic materials (mainly proteinaceous and oil-based binders/varnishes) in painted and polychrome artworks, considering the requirements of conservation practice and routine diagnostics. The reviewed literature calls attention to the importance of using cross sections to prepare samples for optical microscopy and to different properties of embedding resins; the most appropriate instrumental conditions for optical microscopy; and the advantages and disadvantages of the most common staining techniques. A few case studies were selected to illustrate the use of autofluorescence (intrinsic fluorescence) and induced fluorescence (using specific staining tests and fluorophore-labeled antibodies) for mapping and identifying organic paint materials in cross sections. New directions of research in cross-section analyses and fluorescence-based techniques for the identification and mapping of artistic materials are presented. The complementary use of different stains on the same cross section, further exploration of intrinsic and induced fluorescence of aged versus fresh materials, and applicability of cross-section observation and staining as complementary methods for assessing the effectiveness of restoration treatments, such as cleaning and consolidation, are discussed in the last section of the article.

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