Abstract:Pretende-se, com este artigo, a partir da significação apreendida na vinheta de abertura da minissérie A Pedra do Reino (2007), do diretor Luiz Fernando Carvalho, delinear de que modo determinadas características exploradas pelo Movimento Armorial foram revestidas na transposição imagética do Romance D’ A Pedra do Reino e o Príncipe do Sangue do Vai-e-Volta (1970), do escritor Ariano Suassuna.
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