A Journey: Earth/City/Flow

Ukeles, Mierle Laderman; Durham, Jimmie; Downes, Rackstraw; Fend, Peter; Johanson, Patricia; Denes, Agnes; Curmano, Billy; Vater, Regina

doi:10.1080/00043249.1992.10791562

Cited by 4 publications

(1 citation statement)

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“…The replication of the FIU model was slowed down by the shift of the German Green Party toward a more regular political organization and finally ended with the death of the artist. Nevertheless, even after his demise, Beuys has been inspiring a number of artists matching environmental and political activism with their artistic expression, such as Mark Dion, Mel Chin, Mierle Laderman Ukeles, Lilian Ball, and Shelley Sacks [61]. In 1998, the Social Sculpture methodology was formally adopted at the Oxford Brookes University with the foundation of the Social Sculpture Research Unit (SSRU) [62], a gathering of over 150 people.…”

Section: Beuys' Legacymentioning

confidence: 99%

Joseph Beuys’ Rediscovery of Man–Nature Relationship: A Pioneering Experience of Open Social Innovation

Montagnino¹

2018

Journal of Open Innovation: Technology, Market, and Complexity

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The emerging paradigm of sustainability represents a challenging field in terms of new technologies, market regulations, and business models. Limits of both linear industrial development and consumerist way of living have been clearly identified since the late 1960s by the first systemic studies on the effect of human activities on Earth. Many contributions from different disciplines have paved the way for an open, participated, and responsible innovation approach, which is presently triggering the transition toward a nonexploitative human development. An anticipation of this conceptual framework can be found in Joseph Beuys’ art, which can still represent a source of inspiration for innovators, entrepreneurs, economists, and community leaders. In his artistic legacy—from the six blackboards of Perugia to the 7000 Oaks of Kassel—Beuys is still asking us to transform our everyday actions, joining the collective effort toward a new evolutionary stage of humanity, founded upon a holistic vision of society and nature.

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Section: Beuys' Legacymentioning

confidence: 99%

Joseph Beuys’ Rediscovery of Man–Nature Relationship: A Pioneering Experience of Open Social Innovation

Montagnino¹

2018

Journal of Open Innovation: Technology, Market, and Complexity

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Inside the Sanitation System: Mierle Ukeles, Urban Ecology and the Social Circulation of Garbage

Feldman¹

2008

Iowa Journal of Cultural Studies

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Mother as curator

Black

2019

Conceição/Concept.

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This article and the research practice, ‘Mother as Curator’, speak directly to the mother developing art with her family, and addresses the ethical implications which arise this kind of performance making. The author discusses two pieces of work she has developed with her children, Oliver’s World (2014) and Isabel’s Shoes (2017). These performance works and encounters highlight and encourage performance making from different angles, acknowledging the ways in which art making as part of family life shifts perspectives on, and understandings of, what we mean be art practice and the ways it might be experienced.

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A Journey: Earth/City/Flow

Cited by 4 publications

References 0 publications

Joseph Beuys’ Rediscovery of Man–Nature Relationship: A Pioneering Experience of Open Social Innovation

Joseph Beuys’ Rediscovery of Man–Nature Relationship: A Pioneering Experience of Open Social Innovation

Inside the Sanitation System: Mierle Ukeles, Urban Ecology and the Social Circulation of Garbage

Mother as curator

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