Handbook of Cultural Heritage Analysis 2022
DOI: 10.1007/978-3-030-60016-7_47
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3D Digitization of Tangible Heritage

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Cited by 6 publications
(5 citation statements)
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“…Because tangible heritage assets are of a three-dimensional (3D) nature, their digitization should follow a 3D digital world representation (provided we do not consider the dimension of time for the moment). 3D digitization of CH [17][18][19][20] brings new possibilities for presentation, research, knowledge dissemination, conservation, and physical duplication. The domain of CH is challenging for 3D digitization methods due to the wide range of object types, sizes, materials, and complexity.…”
Section: D Digitization Of Tangible Chmentioning
confidence: 99%
“…Because tangible heritage assets are of a three-dimensional (3D) nature, their digitization should follow a 3D digital world representation (provided we do not consider the dimension of time for the moment). 3D digitization of CH [17][18][19][20] brings new possibilities for presentation, research, knowledge dissemination, conservation, and physical duplication. The domain of CH is challenging for 3D digitization methods due to the wide range of object types, sizes, materials, and complexity.…”
Section: D Digitization Of Tangible Chmentioning
confidence: 99%
“…At this point it should be mentioned that saliency maps correspond to textures that highlight the regions on which people eyes focus first and reflect the degree of importance of 3D areas to the human visual system. The differential saliency maps are calculated over 3D models that have been reconstructed via Structure from Motion techniques [2] (SfM) in two different time instances and capture differences on the saliency features that usually correspond to defects. Those models have been originally deployed for generating 3D saliency maps using baseline traditional methods [4], which are later used for training deep neural networks that will facilitate the saliency extraction problem in a costefficient manner.…”
Section: The Warmest Solutionmentioning
confidence: 99%
“…In recent years, a wave of new technologies has surfaced to help digitize material assets and bridge the real and the digital world, which were adapted and applied also to the field of CH. In this context, [2] surveys the currently used methods in Cultural Heritage digitization with respect to 3D digitization of tangible heritage, which is currently the most common form of such processes.…”
mentioning
confidence: 99%
“…3D digitization applications in the field of cultural heritage are directly linked to research and study, with the main objective of producing diverse material that can be used for documentation, restoration, and valorisation purposes (Pavlidis and Koutsoudis, 2022). In the 2019 Declaration of Cooperation on advancing the digitisation of cultural heritage, 27 European countries have called also on the European Commission's Expert Group on Digital Cultural Heritage and Europeana (DCHE Expert Group) to contribute to the development of common guidelines for comprehensive, holistic documentation of European 3D cultural heritage assets.…”
Section: Introductionmentioning
confidence: 99%