ADICHIE, Chimamanda Ngozi. Hibisco roxo. Tradução de Julia Romeu. São Paulo: Companhia das Letras, 2011, 324 p.

Oliveira, Leide Daiane de Almeida; Matos, Naylane Araújo

doi:10.5007/2175-7968.2018v38n3p477

Cad. Trad.

2018

DOI: 10.5007/2175-7968.2018v38n3p477

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ADICHIE, Chimamanda Ngozi. Hibisco roxo. Tradução de Julia Romeu. São Paulo: Companhia das Letras, 2011, 324 p.

Leide Daiane de Almeida Oliveira

Naylane Araújo Matos

Abstract: ADICHIE, Chimamanda Ngozi. Hibisco roxo. Tradução de Julia Romeu. São Paulo: Companhia das Letras, 2011, 324 p.

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Relações étnico-raciais: construção da dimensão pedagógica do cinema negro e a afirmação positiva da africanidade

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Morais-Alexandre

2021

Rev. Bras. Educ. Camp.

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The article demonstrates the centrality of the academic concern, in the discipline Ethnic-Racial Relations, which is given by an observation of the different Brazilian filmographies. A Chanchada was the paroxysm of the stereotype of racial inferiority of the image of the Iberian-Afro-American as a rural ethnic demand of Amerindian heritage in the progress-averse Jeca Tatu. To affirm the racial superiority of the imagetic hegemony of the Euro-hetero-macho-authoritarian as a sign of divine perfection expressed in the priest as God's representative. Racial domination determined by the power of euroheteronormativity. Cinema Novo was the trend that the black man became an aesthetic referent in the Marxist-influenced Glauberian realization. In the syntax of Cinema Novo in the semiotics of class struggles, the black man is a proletarian expression and the white man configures the bourgeoisie. The ontological struggle to affirm the positive image of minorities is a projection of class struggles. In Black Cinema, the Africanity that is a reference in Cinema Novismo conquers the position of subject in this cinema as the author of its own history. It concludes that it is in the Pedagogical Dimension of Black Cinema, as epistemic cinema that the minority builds the image of positive affirmation representing the visual of the decanted place of speech, as inclusive contemporaneity, overcoming the excluding anachronism.

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Relações étnico-raciais: construção da dimensão pedagógica do cinema negro e a afirmação positiva da africanidade

Prudente

Có

Morais-Alexandre

2021

Rev. Bras. Educ. Camp.

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DAS, Veena. Vida e palavras: a violência e sua descida ao ordinário. Tradução bruno Gambarotto. São Paulo: Editora Unifesp, 2020. 312p.

Engel

2020

Novos Debates

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ADICHIE, Chimamanda Ngozi. Hibisco roxo. Tradução de Julia Romeu. São Paulo: Companhia das Letras, 2011, 324 p.

Abstract: ADICHIE, Chimamanda Ngozi. Hibisco roxo. Tradução de Julia Romeu. São Paulo: Companhia das Letras, 2011, 324 p.

Cited by 2 publications

References 2 publications

Relações étnico-raciais: construção da dimensão pedagógica do cinema negro e a afirmação positiva da africanidade

Relações étnico-raciais: construção da dimensão pedagógica do cinema negro e a afirmação positiva da africanidade

DAS, Veena. Vida e palavras: a violência e sua descida ao ordinário. Tradução bruno Gambarotto. São Paulo: Editora Unifesp, 2020. 312p.

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