2011
DOI: 10.1590/s1679-39512011000100010
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Organizações culturais e a aprendizagem baseada em práticas

Abstract: ResumoConsiderando que o objeto de estudo por si mesmo é uma questão de debate entre orientações intelectuais muitas vezes antagônicas, para a presente análise delimitou-se o foco em organizações que atuam no âmbito artístico e cultural e que não produzem em escala industrial. A questão que norteia este ensaio teórico é: quais são os processos de aprendizagem que permeiam o desenvolvimento de profissionais que trabalham em organizações que atuam no setor cultural e das artes? Na tentativa de responder esta ind… Show more

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Cited by 19 publications
(19 citation statements)
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“…The creation of meaning is concrete and identified by means of artifacts, speeches, bodies, habits and concerns; e) The relationships are made of groups or networks of practices. According to the studies on organizational learning, the practice approach has brought new elements to discussion, such as the role of emotions in the learning process, the political, power and domination influence in the content of learning, and also the interdependence between the processes of learning and organizing (Bispo, 2013a;Flach & Antonello, 2011;Gherardi, Nicolini, & Odella, 1998). As stated in the studies about strategy, the practice approach could recognize, for instance, that the strategy work is widely distributed in the organizations, not only taking into account the participation of the employees at higher hierarchical levels, but also the ones at medium and lower levels, (Jarzabkowski, 2005;Samra-Fredericks, 2003;Silva & Gonçalves, 2016;Vaara & Whittington, 2012;Whittington, 2003).…”
Section: Introductionmentioning
confidence: 99%
“…The creation of meaning is concrete and identified by means of artifacts, speeches, bodies, habits and concerns; e) The relationships are made of groups or networks of practices. According to the studies on organizational learning, the practice approach has brought new elements to discussion, such as the role of emotions in the learning process, the political, power and domination influence in the content of learning, and also the interdependence between the processes of learning and organizing (Bispo, 2013a;Flach & Antonello, 2011;Gherardi, Nicolini, & Odella, 1998). As stated in the studies about strategy, the practice approach could recognize, for instance, that the strategy work is widely distributed in the organizations, not only taking into account the participation of the employees at higher hierarchical levels, but also the ones at medium and lower levels, (Jarzabkowski, 2005;Samra-Fredericks, 2003;Silva & Gonçalves, 2016;Vaara & Whittington, 2012;Whittington, 2003).…”
Section: Introductionmentioning
confidence: 99%
“…Not only does the organization serve as a means to expose the work of dozens of artists every year, it also plays a crucial role in the development of the local arts community since its beginning. In this sense, the April Exhibition was considered here as an institutionalized arts organization that permeates creative, economic and social aspects (Flach & Antonello, 2011), which transcends time, space and places to which it is proposed. Artistic and cultural organizations are constituted by networks of interactions of different formats, which act in the amplification of their social senses and in the revitalization of the local creative economies (Carradini, 2018).…”
Section: Open Accessmentioning
confidence: 99%
“…This is a parallel space, unsubordinated to courses and formal institutional activities such as training interventions (Flach & Antonello, 2011). However, even though interlinked and not representing mutually excluding concepts, formal and informal learning present some traces that differ from each other and have to be pointed out.…”
Section: Informal Learning At Work Contextmentioning
confidence: 99%