2011
DOI: 10.1590/s0103-21862011000100013
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Ditadura, democracia e estado de exceção

Abstract: Nas duas úl ti mas dé ca das, os es tu dos his tó ri cos vol ta dos para o exa me da na tu re za do re gi me ci vil-mi li tar bra si le i ro ex pe ri men ta ram um enor me impul so. Por cer to, não fal tam ra zões para ex pli car esse ver da de i ro boom que, eviden te men te, não é um fe nô me no que diz res pe i to ape nas ao Bra sil. Bas ta con sultar a pro gra ma ção dos inú me ros con gres sos in ter na ci o na is que tra tam de te máti cas con tem po râ ne as para se ve ri fi car a am pla pre sen ça de t… Show more

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Cited by 3 publications
(6 citation statements)
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“…Paulo Freire's method, as a theoretical and methodological resource in research, consists of three dialectic phases: thematic investigation , when the educators/entertainers discover, in the students' vocabulary universe, the generative words and thematic contents of real life; theming , when the themes are coded and decoded through the dialogue, the symbols gain social meaning, the participants gain awareness of the world experienced:and problematisation, a phase with a process of action–reflection–action, where the participants in the Culture Circle attempt to overcome the first magical view through a critical and social view, acknowledging the limits and possibilities to transform the context experienced (Freire, 2008, 2011). In this study, the health education model proposed by Monteiro and Vieira (2008) was used, adapted from Paulo Freire's Culture Circles, as displayed in Figure 1.
Figure 1 Phases of Paulo Freire's method proposed by Monteiro and Vieira (2008) and applied in this study.
…”
Section: Methodsmentioning
confidence: 99%
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“…Paulo Freire's method, as a theoretical and methodological resource in research, consists of three dialectic phases: thematic investigation , when the educators/entertainers discover, in the students' vocabulary universe, the generative words and thematic contents of real life; theming , when the themes are coded and decoded through the dialogue, the symbols gain social meaning, the participants gain awareness of the world experienced:and problematisation, a phase with a process of action–reflection–action, where the participants in the Culture Circle attempt to overcome the first magical view through a critical and social view, acknowledging the limits and possibilities to transform the context experienced (Freire, 2008, 2011). In this study, the health education model proposed by Monteiro and Vieira (2008) was used, adapted from Paulo Freire's Culture Circles, as displayed in Figure 1.
Figure 1 Phases of Paulo Freire's method proposed by Monteiro and Vieira (2008) and applied in this study.
…”
Section: Methodsmentioning
confidence: 99%
“…The statements, conversations, phrases, interviews, discussions, within or beyond the circle, everything is loaded with themes from the community, its topics, its life (Freire, 2011). Hence, the choice to develop a Culture Circle aims to trigger a participatory experience of knowledge construction, with emphasis on dialogue and experience exchange, which is capable of provoking individual and collective reflections with a view to gaining critical awareness and active postures towards the experience (Heidemann, & Almeida, 2011; Monteiro & Vieira, 2010).…”
Section: Methodsmentioning
confidence: 99%
See 1 more Smart Citation
“…Nessa descrição do espaço escolar, observa-se a falta de atenção a pormenores de um espaço que deve ser pensado, construído e mantido para um contexto em que se requer o exercício da curiosidade epistemológica (FREIRE, 2013). É oferecendo um ambiente realmente limpo, decorado, silencioso, com materiais didáticos que possam ser usados e consultados por professores e alunos que a escola deixa claro que aquele espaço deve ser respeitado e, por consequência, a direção, funcionários e professores podem cobrar esse respeito por parte dos alunos.…”
Section: A Escolaunclassified
“…O corpo na pós modernidade vem sendo ressignificado de acordo com a cultura e valores (pré) estabelecidos socialmente. Os padrões de beleza também vêm se transformando com o passar dos tempos, assim, amparados no que nos diz Freire (1979)…”
Section: Introductionunclassified