2016
DOI: 10.1590/s0102-69922016.00030006
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Edição e tradução, entre a cultura e a política: Argentina e Brasil na Feira do Livro de Frankfurt

Abstract: Resumo: Este artigo analisa a participação da Argentina e do Brasil como países convidados de honra (em 2010 e 2013, respectivamente) na Feira do Livro de Frankfurt. Remetemos tais presenças à história recente da feira e ao seu papel na estrutura dos fluxos e circuitos de edição e tradução em nível mundial, estrutura esta regulada pelas relações desiguais entre distintos países e mercados linguísticos. Analisamos as negociações entre entidades do poder público e da política setorial que deram origem a tais par… Show more

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Cited by 8 publications
(6 citation statements)
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“…Thus, in recent years, we observe how in addition to the well-known models inaugurated by the Frankfurter Buchmesse and the Salon du Livre de Paris 4 of inviting countries as honorees for each edition of these events or of celebrating “themes” (Bosshard & García Naharro, 2019 ; Galanes Santos, 2021 ; Muniz Júnior & Szpilbarg, 2016 ; Sorá, 2013 ; Weidhaas, 2011 ), there are several fairs— Salon du Livre de Paris/Livre Paris , the IBF of Buenos Aires and, in some specific case, the IBF of Guadalajara—that have opened an important exhibition space to present new subjects as guests of honor. It is, in a way, an instrument to rebalance positions in the transnational sphere as well as to perform other types of functions (Sorá, 2021 , p. 43).…”
Section: International Book Fairsmentioning
confidence: 95%
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“…Thus, in recent years, we observe how in addition to the well-known models inaugurated by the Frankfurter Buchmesse and the Salon du Livre de Paris 4 of inviting countries as honorees for each edition of these events or of celebrating “themes” (Bosshard & García Naharro, 2019 ; Galanes Santos, 2021 ; Muniz Júnior & Szpilbarg, 2016 ; Sorá, 2013 ; Weidhaas, 2011 ), there are several fairs— Salon du Livre de Paris/Livre Paris , the IBF of Buenos Aires and, in some specific case, the IBF of Guadalajara—that have opened an important exhibition space to present new subjects as guests of honor. It is, in a way, an instrument to rebalance positions in the transnational sphere as well as to perform other types of functions (Sorá, 2021 , p. 43).…”
Section: International Book Fairsmentioning
confidence: 95%
“…Thus we know that the condition of GoH represents a cultural and economic showcase; it also requires planning—and not only economically, in the promotion of authorships, editors, translators, mediators and a cultural program (Galanes Santos, 2021 ; Muniz Júnior & Szpilbarg, 2016 ; Villarino Pardo, 2022 ) that benefit not only those who participate but also, as noted, the fair itself. This opportunity and what it implies to accept the commitment 12 of starring in an event such as an international book fair (according to their respective models) in terms of planning and investments for years (GoH pavilion/stand, invited delegations, cultural program, curatorships, catalogs, programs to support the translation and circulation of authorship, etc.)…”
Section: Cultural Promotion and The Status Of Guest Of Honor (Goh) At...mentioning
confidence: 99%
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“…Entre los últimos años de la década de 1990 y el 2000, tuvo lugar un proceso de concentración en el campo de la industria editorial argentina -así como en el resto de América Latina-a partir del cual los conglomerados de empresas que desembarcaron en el país llegaron a controlar la mayor parte del mercado. Como han señalado diversos estudios (Botto, 2006;Szpilbarg y Saferstein, 2014a, 2014bMuniz Jr y Szpilbarg, 2016;Szpilbarg, 2019) este proceso de concentración y globalización trasnacional siguió creciendo hasta la actualidad y estableció una disputa asimétrica por el control de los mercados entre los países.…”
Section: Estrategias Del Sector Editorial: Rupturas Continuidades Y unclassified
“…Uma hipótese que sustento é a de que Cida Nóbrega aceitou ir para São Paulo, levando seu filho pequeno, porque acreditava que, a partir de então, a Corrupio pudesse proporcionar para ela o suporte financeiro necessário para se manter, em especial por estarem em uma cidade onde o mercado editorial e o público leitor são mais amplos(Hallewell, 2012;Muniz, 2016).…”
unclassified