A escrita da história do teatro no Brasil: questões temáticas e aspectos metodológicos

Abstract

Este artigo discute a maneira pela qual a história do Teatro de Arena (São Paulo) tem sido escrita, por meio de depoimentos de seus integrantes e de teses, dissertações e ensaios acadêmicos. Além disso, estabelece um diálogo interdisciplinar entre História e Teatro a partir de questões teóricas e metodológicas.

Atores profissionais de teatro: aspectos ambientais e sócio-ocupacionais do uso da voz

“…Moreover, it is important to control the air flow during the performance because the intervals (breaks) that interspersed the phonatory periods with breathing during speech dialogues are one of the altered parameters front situations with emotional impact (16)(17)(18) . The most common alteration refers to the rhythm of inspiration/expiration (16,17,19) . Thus, we can detect the importance of the harmonic use of vocal projection, articulation and breathing so that the text is understood by the public.…”

“…It is a rectangular stage, in which the relationship between actors and spectators is always front and offers visibility and acoustics close to perfection (16) . The arena was founded by young students graduated by the first class of the School of Dramatic Art (EAD) of São Paulo and had this name given the choice of stage type (17) . The arena stage exists since the twentieth century and it may be circular, with the audience occupying the whole area around the stage, or rectangular, with the audience seated on three or four of its sides (16) .…”