O papel educativo da fotografia de vida selvagem

Abstract

RESUMO: Este texto examina duas reportagens dos fotógrafos James Balog e Michael Nichols, da revista National Geographic, sobre animais selvagens em zoológicos para questionar o que nos ensinam as denominadas fotografi as de animais a respeito do lugar reservado à vida selvagem na cultura contemporânea. Partindo das considerações do fi lósofo francês Didi-Huberman e de estudos sobre a domesticação, busca-se fornecer subsídios para compreender o propósito educativo da fotografi a de animais. Palavras-chave:Zoológicos. Fotografi a animal. Preservação animal. NationalGeographic.The educacional purpose of wildlife photography ABSTRACT: The intention of this paper is to examining two articles of National Geographic photographers James Balog and Michael Nichols on wild animals kept in zoos in order to questioning what the so called photographs of wild animals can teach us on wildlife proper space in contemporary culture. Considering French philosopher's Didi-Huberman assumptions as well as studies on domestication this paper tries to provide information in order to understand the educational purpose of animal photography.Key words: Zoos. Animal photography. Animal preservation. National Geographic.Le rÔle educatif de la photographie de la vie sauvage RÉSUMÉ: Ce texte examine deux reportages des photographes James Balog et Michael Nichols, de la revue National Geographic, sur les animaux sauvages dans des parcs zoologiques pour questionner ce que nous enseigne les dites photographies d'animaux à propos de la place réservée à la vie sauvage dans la culture contemporaine. Partant des considérations du philosophe français Didi-Huberman et d'études sur la domestication, on cherche à apporter des éléments pour comprendre l'objectif éducatif de la photographie d'animaux. , 1989a, p. 238) Mots