Reflexões De Boaventura De Sousa Santos Sobre Os Impactos Do Coronavírus

Moura, Amanda da Rocha; Guerra, Maria das Graças Gonçalves Vieira

doi:10.1590/198053147314

Cited by 1 publication

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“…With the pandemic, social inequalities became even more visible, expressing themselves in differences in access to public policies related to various sectors, such as: health, work, education, art, housing, among others. These disparities were more visible when comparing the countries of the North and the South, which showed profound differences in access to social and economic benefits [35]. The COVID-19 pandemic has disorganized and disrupted societies globally, deepening the social and structural inequities of the contemporary world.…”

Section: "What My Mother Taught Me and What My Father Taught Me I'm A...mentioning

confidence: 99%

Graffiti, Migrant Women, Intersectionality: Artistic Experiences in Portugal

Hoefel

Moura-Vieira

Alves-Hopf

et al. 2023

Proceedings of the 14th International Multi-Conference on Complexity, Informatics and Cybernetics: IMCIC 2023

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The latest world events have impacted the socioeconomic and artistic life of migrants (pandemic, wars and climate change). The feminization of migration has caused a change in the profile of migrant women. These migrant women have been suffering countless experiences that denounce iniquities, some expressed through graffiti art. Objective: To analyze the artistic experiences, resistance to differences and oppression of gender, social class, race and nationality, experienced by a female graffiti artist migrant in the context of COVID-19 in Portugal. Method: Study carried out through action research, netnography and oral history, in dialogue with some concepts: Coloniality, Decoloniality, Intersectionality, Migration, Art. Results: The artist's individual work is present on the walls of Lisbon, portraying peoples in diasporas in different contexts, through aesthetics that reveal Angolan matrices, gender oppression, social class, race and nationality; The artist's collective work has interfaces with social, political and cultural dimensions; During the pandemic, the artist reinvented herself to survive. Conclusion: The artist's work is inserted in the globalized world, where nationality has no borders, bringing to light the colonial discourse that hierarchies society in race, gender and nationality, reverberating power relations, oppression, intersectionality in an aesthetic and political way.

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Section: "What My Mother Taught Me and What My Father Taught Me I'm A...mentioning

confidence: 99%