2021
DOI: 10.1590/1980-265x-tce-2019-0389
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Power Devices Used by Nurses to Fight Domestic Violence Against Women

Abstract: Objective to identify the power devices used by nurses to fight domestic violence against women from the perspective of parrhesia. Method qualitative study addressing 20 nursts from 13 Primary Heath Care units located in Rio Grande, South of Brazil. Interviews were held from April to June 2018, and data were treated using NVIVO 11 under the light of the Discursive Textual Analysis and Foucault's philosophical framework. Result two categories emerged from the analysis: (1) knowledge devices and (2) adminis… Show more

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Cited by 3 publications
(2 citation statements)
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References 8 publications
(13 reference statements)
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“…A prática de escrita dos memoriais busca reforçar o lugar de saber. Saber sobre si, sobre como se tornou professora titular, de modo a não romper o quadro ou de operar cirurgicamente em seu modo de vista, olhos, corpo, de modo a proclamar alguma "verdade ferina" -prática parresiástica 20 , alguma experiência trágica, conflitos que surgiram em suas subjetivações. Pinturas de si sem extirpação ocular como ocorre no autorretrato de Varejão na obra Testemunhas oculares X, Y, Z.…”
Section: /14unclassified
“…A prática de escrita dos memoriais busca reforçar o lugar de saber. Saber sobre si, sobre como se tornou professora titular, de modo a não romper o quadro ou de operar cirurgicamente em seu modo de vista, olhos, corpo, de modo a proclamar alguma "verdade ferina" -prática parresiástica 20 , alguma experiência trágica, conflitos que surgiram em suas subjetivações. Pinturas de si sem extirpação ocular como ocorre no autorretrato de Varejão na obra Testemunhas oculares X, Y, Z.…”
Section: /14unclassified
“…The practice of writing memorials seeks to reinforce the place of knowledge. Knowing about herself, about how she became a full professor, so as not to break the picture or to operate surgically in her way of seeing, eyes, body, so as to proclaim some "ferine truth" -parresiastic practice 20 , some tragic experience, conflicts that arose in her subjectivations. Paintings of the self without ocular extirpation, as in Varejão's self-portrait in the work "Testemunhas Oculares X, Y, Z".…”
Section: /14mentioning
confidence: 99%