Abstract:This discussion about Portuguese music education, between the end of the 19 th century and the beginning of the 20 th century, a time when the demand for musical learning was rarefied, seeks to introduce the hypothesis of a biopolitical understanding of the technology of genius. This concept crossed several branches of education, albeit through different modalities -which allows us to ask whether the artistic regulation of the populations was conducted by the same technology. The question arises from the ident… Show more
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