Despite increasing scholarly and media attention to the global circulation of Korean media and popular culture (the Korean Wave or Hallyu), the diasporic population has remained a grey area in the literature. As early adopters and cultural translators, diasporic Korean youth have played a pivotal role in the recent rise of the Korean Wave. Furthermore, this cultural wave can be considered metaphorically diasporic as it contributes to the exposure of global audiences to the mediated experiences of migration and hybridity, whereby the boundaries of the nation-state are questioned. As diaspora is a way of imagining borders, groups, and individuals that deal with cultural difference, the conceptual lens of diaspora can advance audience studies of Hallyu.