Introduction: the article is devoted to the study of genre and aspect specifics of the travel lyric cycle as a major genre form in modern Russian poetry of Mordovia and it fits into the complex of research of Russian literary studies concerning the problem of genre synthesis. The subjects of the analysis are the features of plot building of the lyrical cycles of travels. Objective: to reveal the genre and problem-thematic originality of the lyrical cycles of travels in the works of modern poets of Mordovia. Research materials: cycles of travels of V. Gadaev, V. Yushkin, K. Smorodin. Results and novelty of the research: in modern Russian poetry of Mordovia large genre forms as the most flexible actively develop. Among them, a special place is occupied by lyrical cycles with diverse thematic lines. In this context, travel cycles that synthesize the features of genre forms of the cycle and travelogue are quite remarkable. The complex compositional structure marked by the presence of a real geographical route, the image of a traveler comprehending the cultural and historical atmosphere of the visited country / city, reflects the author’s worldview, historiosophy, and the idea of the world space. In the works of V. Gadaev, V. Yushkin and K. Smorodin such cyclic forms carry out various creative objectives. For V. Gadaev, trip brings the opportunity to rethink the tragic moments of history, to understand the state of a person who is far from his homeland. The plot-forming beginning of his works is the opposition «native – alien», where the image of the Mordovian region turns out to be the semantic artistic center. In V. Yushkin’s lyrical cycles, the traveler’s route is connected with the comprehension of semantic codes of geographical space, contact with important cultural and literary places. In the K. Smorodin’s center of attention is an image of a lyrical hero-traveler who is under the impression of the surrounding world’s beauty. The motif of travel in the works of Russian poets of Mordovia is largely enriched by landscape and philosophical, love motifs, which indicates the synthetic nature of this genre-specific form. The scientific novelty of the work is connected with the fact that it represents the first experience of the comprehensive study of the features of the lyric cycle of travels in Russia
The main problem of modern science is pointed out: reality of specific three-type systems (TTS) that are usually presented as complexity, and simultaneously impossibility of a description of such systems by a traditional modern reducing approach. Studying properties of system elements cannot help in a description of a complex system itself – complexity (three-type systems, living systems). Hence there arises an acute need in creation of new theories which would operate with maximum uncertainty and unpredictability and provide modeling TTS. The first step in this direction was taken on the grounds of a creation of theory of chaos and self-organization (TCS), according to which complexity cannot repeat an initial state of a system (or a vector parameters x(t0)), measures are not invariant, autocorrelation functions do not converge to zero and Lyapunov exponents are not positive. Chaos of TTS differs from a deterministic chaos and statistical distribution functions f(x) are not appropriate to describe it, because they continuously change. Deterministic, stochastic and chaotic models cannot describe TTS. This is the main property of emergent systems (complexity, TTS), therefore they are described by quasi-attractors.
The article is devoted to the study of genre features of the lyrical cycle of travel in modern poetry on the example of “Indian Cycle” (2008) by Vera Polozkova. The relevance of the study is due to the need to comprehend the lyrical cycle of travel as a synthetic genre form, in the structure of which various kinds of changes take place, first of all, genre features of the lyric cycle and travelogue are synthesized. The study of this genre form makes it possible not only to determine the originality of the author's creative manner and his place in the modern literary process, but also to trace the main trends in the development of the lyric cycle of travel in modern Russian poetry as a whole. The novelty of the research lies in the identification of genre, problem-thematic, compositional features of the “Indian Cycle”, which makes it possible to draw a conclusion about the expansion of the genre-typological features of the travel cycle due to additional lyrical motives (landscape, philosophical, love). It is established that the lyrical cycle of V. Polozkova’s travel is built along a real geographical route, the image of the country being visited becomes a plot-forming basis. In the course of the study, the peculiarities of the artistic perception of the geographical, cultural and historical space of the eastern country, national spirit and attributes are revealed. The features of the influence of the travel route on the inner world of the lyrical heroine are analyzed. Cultural codes and clichés associated with stereotypical perception of India are being rethought. The work proves that V. Polozkova's "Indian Cycle" clearly demonstrates the trend of genre synthesis emerging in contemporary poetry.
The article is devoted to the study of the history of the detective genre in literature formation. The term "detective" is still controversial in literature studies. Academicians distinguish different subgenres of detective works, in this case taking into account synthesis of storyline model of psychological, adventurous, and spying novels. An important feature of the detective genre is the completeness of the facts: the solution of the mystery cannot be based on the information that was not provided to a reader during the investigator's description. Hence, readers should have enough information to find a solution on their own. Studies on detective genre have appeared in the West first. Its arrival to Russia occurred in the 1990s. The authors analyze the theoretical works devoted to the detective genre, identify the most important features of the classic and postmodern detective genre, as well as identify the key steps in the formation of literature on detective genre. The article states that the founder of the detective genre was E. A. Poe. Then this genre has developed in England (A. Conan Doyle, A. Christie), in France (S. Japrisot, Georges Simenon), the U.S. (Hammett, Chase), and Russia (R. Ovals, R., Kim, Y. Semenov, br. Weiners, D. Koretsky, N. Leonov, B. Akunin, etc.). Herewith, during the transition to the 21st century, this genre has experienced significant changes regarding the leading character: a hero is not a police officer but an amateur investigator with a strong personality, analytical mind and outstanding abilities.
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