Об источниках образного определения А. С. Пушкина как «солнца Поэзии» Аннотация. Статья посвящена проблеме источников краткого извещения о смерти А. С. Пушкина, напечатанного 30 января 1837 г. в 5-м номере «Литературных прибавлений»-приложении к газете «Русский инвалид». Ранее исследователями установлено, что его автором является В. Ф. Одоевский. Доказывается, что семантика образного определения значения Пушкина как «солнца русской поэзии» восходит у В. Ф. Одоевского к Библии, в которой символика солнца имеет тождественные извещению коннотации. Значимым источником образа «солнца поэзии» в некрологе Одоевского бесспорно выступает и творческое наследие самого Пушкина, в котором дневное светило предстает величественным, сакральным источником жизни, преисполненным истинной Божественной мудрости, несущим людям радость и счастье и указующим спасительный путь. Данная семантика образа прослеживается в стихотворениях «Вакхическая песня», «Из Barry Cornwall» («Пью за здравие Мери…»), в критической статье «Торжество дружбы, или Оправданный Александр Анфимович Орлов» и последней прижизненной публикации великого поэта в «Литературных прибавлениях»-стихотворении «Аквилон». Текстуальное сближение определения значения Пушкина, данного в некрологе Одоевским, со словами митрополита Киевского Кирилла «солнце отечества закатилось» из «Истории государства Российского» Н. М. Карамзина, восходящими к «Степенной книге», объясняется общим библейским первоисточником.
The subject of this research is the prophetic nature Nikolai Klyuev’s poetry. Publicistic and partially scientific literature holds a view, according to which the origins of poetic gift of prophecy of Nikolai Klyuev take roots in his extraordinary personality with certain occult knowledge that enables him to foresee the future national catastrophes. The myth on N. Klyuev, formed within public consciousness, is based on the lack of study of the peculiarities of ethical-philosophical views of the poet, who creatively embraced the rich traditions of national mythology, folklore and Ancient Rus’ culture. Leaning on the systemic analysis of artistic heritage of N. Klyuev, the author provides a new interpretation of the prophetic verses of the poet as the worldview specificities of the poet of 1920s – 1930s. The conclusion is made that numerous apocalyptic motifs and images in the poetry of N. A. Klyuev, which at the present time are perceived as prophetic, were generated by his ideology of incompatibility of civilization and culture, in their confrontation that started back in XVII century, at the time of schism of the Russian Orthodox Church, and aggravated in 1920’s – 1930’s. The poet understood civilization as repressive phenomenon that came to Rus’ from the West. Infiltration of an alien to Russia Western civilization that disrupts the identity of national culture, inevitably leads the country to a catastrophe. According to Klyuev, the tragedy of the XX century is a destruction of the traditional national principles, followed by the imminent demise of the entire Russian world, and later of all mankind. Vast knowledge on the foundations and patterns of national life allowed the poet to look through decades into the future of Russia.
Based on Gleb Uspensky’s cycle “Sketches of the Transitional Period”, this article analyzes the ethical-philosophical views of the writer upon national spirituality, Russian world and its future. Uspensky believed that the great mission of Russia consists in the desire to become a unifying spiritual center for the entire world civilization. However, due to its location in-between the West and the East. Russia is spiritually dying, and along with it in the global chaos and hostility of Western and Eastern civilizations, dies all of humanity. Russia’s position within the spiritual confrontation of East and West, the writer describes as "uncertain": Russia wants but is not able to impede the imminent spiritual demise of humanity. Such "uncertainty" contains the spiritual tragedy of Russia itself, which appears to be in a questionable situation with regards to its world goals and objectives. This article suggests a new approach towards understanding the cycle of G. I. Uspensky “Sketches of the Transitional Period”, based on peculiarity of his philosophical and ethical views associated with the idea of Russian messianism, its specialness in the context of the confrontation of Western and Eastern civilizations. The conducted systemic analysis of the cycle “Sketches of the Transitional Period” demonstrated that Uspensky comprehensively reflected the own understanding of spiritual tragedy of the Russian life, founded on a deep insight into the surrounding post-reform Russian reality of the 1850s-1880s. The revealed specificity of Uspensky’s worldview opens a new perspective for an overall scientific assessment of the later period of his works.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
hi@scite.ai
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.