The article presents philosophical views on music in the context of the transformations of the worldview from Antiquity to the Modern Time. In this research author also mentions the contemporary issues, and uses her own philosophical concept of the music, which can be described as following: the value of music as a substance and the way of the valuable interaction of a person with the world affirm the essence of musical being, in which the invariable principle of Harmony, the principle of Chaos-Form movement, is preserved (see "The Value of the Music: Philosophical Aspect"). Music expresses the fluid essence of the world and changes of being in space and time. Philosophy of music as a field of philosophical knowledge considers music from ontological-epistemological and phenomenological-axiological prospectives, as something more than just a form of art. It explores the deep, ultimate foundations of the existence of music as such and the philosophical and aesthetic foundations of musical art. Since ancient times music has been a representation of the world in the human conscience and served as the harmonic equivalent of cosmological philosophy, mathematics, astronomy, and astrophysics (Pythagoras, Plato, Aristotle, Aristoxenus, Porphyry et als.). The scientific view on music was enriched in the Modern Time by the expanded view on the cosmo-sound space reflected in musical art, which at the same time transforms the mathematical ideas of geometricity, squareness etc. The tendency to create integral world music in the musical practice of the XX-XXI centuries explains the attempt of mankind to present music by modern methods of composing musical art as an expression of fear towards the secret Harmony of universal existence, and, on the other hand - as a form of search for salvation and mental balance, intuitively reflecting what is happening in natural science, which more and more points to the abyss of unknowable universe, and the unstable place of man in the world.
The paper is devoted to the analysis of theurgic aesthetics in relation to the concept of utopia that initiates a different understanding of the philosophy of the Russian diaspora representatives through the prism of utopian theurgy of beauty and art. Introducing the idea of utopian theurgy of beauty and art the authors emphasize its meaningful, axiological component. The authors interpret the utopian theurgy of beauty and art in the Russian diaspora philosophy of the first third of the 20th century as an aesthetically mystical experience of the imperfection of human earthly existence that causes a gap with socio-historical reality with direct co-existence of the creative individual with God who is considered to be the true Beauty, the cosmic Harmony, and the universal Love. The meaning of the utopian theurgy of beauty and art is in achieving the goal of possible union with the deity, as well as in affirming persons actions as a co-creator of the world process. The utopian theurgy of beauty and art of an optimistic nature, associated with the light of hope directed to the transformation of earthly existence is reflected in N.S. Arsenyev's idea of spiritual joy achievable in the mystical experience of "longing for Beauty in God"; in B.P. Vysheslavtsev's reflections about the artistic and creative embodiment of eros as thirst, the birth of the God-Man in beauty, as well as in I.A. Ilyin's philosophy, in which, despite disappointments in social changes, the faith in art as the Mystery, as "a service and a joy" always following sacred traditions is preserved. The aesthetic and pessimistic foundations of utopian theurgy are realized in the aesthetic views of V.V. Weidle, according to which art has lost its orientation to high objective spirituality; in S.L. Frank's idea of unrealized Beauty as a dream of the ultimate transformation of the world that is opposed by the bitter reality of the split of being; as well as in the philosophy of N.A. Berdyaev, who postulates the tragedy of earthly existence caused by the unattainability of the full realization of the cosmic Beauty that considers as the goal of the world process. N.O. Lossky's metaphysics, intuitionism and value system are of particular importance, as the utopian theurgy of beauty and art consists in the following: there always remains a share of the absolute truth in art that is the world of illusions and artists imagination; the absolute value of beauty universally valid for all substantial personalities is affirmed.
The author, given the insufficient coverage of the significance of A. G. Baumgarten in Russian literature, which acquired the status of a secondary philosopher in the great history of philosophical thought, sought to emphasize the anthropological significance of the work of the philosopher as the founder of the science of aesthetics. To this end, the author cites the words of the somaesthetics R. Shusterman about the significance of the Baumgarten theory of sensory knowledge, refers to the axiological vision of the aesthetic foundations of
The article presents the problems of philosophical scientific and scientific-educational work in the border region of Russia, which is the greater Orenburg Region, which is adjacent to Kazakhstan in the south, and borders with Bashkiria in the north. Following the scientific and educational tasks that contribute to the strengthening of ideological attitudes in the region, the philosophical club Arete (Greek. virtue, dignity), based in the Orenburg library named after N. K. Krupskaya, attracts students, teachers, researchers and all those interested in science to participate in discussions on philosophy. In the midst of the pandemic, the library uploaded videos of Arete meetings to make them available to a wider audience. The discussions do reflect the club’s name — participants focus on virtue, perfection, problems of freedom and responsibility. The meetings have a therapeutic, pedagogical effect, they help refrain from passions and make a dignified and deserving member of society. This sociocultural project rekindles understanding philosophy as an art of living. Philosophy teaches to resort to reason in decision-making and leads to a true virtue, bridging the gap between everyday life and a higher plane of thought. The young when introduced to philosophy get an invaluable help in finding answers to the most profound questions of what it is to be a human and how to find where you belong. In this respect, the topics of the club’s meeting indicate the scope of problems that need consideration and discussion with a younger audience: core values of a civil society; philosophical basis of legal culture; the problem of individual’s self-determination; the phenomenon of fear in the philosophical discourse; the study of axiological problem of social memory; philosophy of family; abandonment and solitude at home; problems of modern aesthetics and environmental challenges etc. From our point of view, initiatives that raise the profile of Russian regions are in the best interest of cities and towns suffering depopulation. Such projects are vital since they give the sense of empowerment and belonging, let them feel involved in the real economy, politics and culture, and thus encourage the young generation to develop their home area. We hope that Arete will set a good example of a project that brings philosophy back to people.
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