Cynicism commonly is interpreted as a moral phenomenon. However this understanding of cynicism is not completed. It is necessary to analyze the tradition of cynicism as a philosophical and cultural phenomenon. The cynicism is especially popular during the periods of crisis, amid the breakdown of ideologies and religious doctrines. The tradition of cynicism is inseparable from the history of kynicism. Nowadays the phenomenon of cynicism is widely spread in the Western world. In accordance with the philosophy of Peter Sloterdijk contemporary mass consciousness in the West is characterized by universal diffusive cynicism. In the opposition to diffusive cynicism Peter Sloterdijk develops an original philosophical theory called neokynicism.
Цель исследования -проанализировать лиминальные и транзитные пространства в аспекте мобильности. На основании теоретических концепций философов и практических работ социологов и антропологов в статье формулируются ключевые подходы к описанию лиминальных и транзитных пространств, выявляется их специфика в рамках антропологии мобильности, исходя из полиформизма повседневных мобильных практик индивида. Научная новизна исследования заключается в проведении демаркации понятий «лиминальное пространство» и «транзитное пространство» в контексте мобильности. В результате исследования продемонстрирована специфика пространственного модуса лиминальности, произведена дифференциация лиминальных пространств и транзитных пространств в мобильных практиках.
In the paper the reasons of address of the information space's modern religious mythology to infernal cultural heroes through the principle of inversion of moral standards are considered. It is associated with the cynicism phenomenon because cynicism characterizes manipulation by means of reasoning on moral subjects. The purpose of this paper is the analysis of ethical appeal of infernal cultural heroes forming new ethical principles and norms for younger generation. In the paper the review of issues connected with myth-making, with forms of public consciousness in the modern culture is presented. Conclusions about emphasis shift in mass consciousness to positive infernality of the modern cultural hero are drawn.
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