In Disney's box office sensation Frozen (2013), Elsa conjures powers rivaling those of Zeus, which is an echo of the shifting gender dynamics at the time of the film's release. By independently creating offspring Olaf and Marshmallow through whirlwinds, Elsa's parthenogenesis (virgin birth) evokes wind-driven pollination, allowing her to circumvent any male role in creation. However, Elsa's autonomy clashes with the traditional gender hierarchy, which is reinforced by a cultural context replete with latent symbolic meanings. Examples include both carrots and carats as phallic symbols, eggs as representations of the procreative potential that is appropriated by men and devalued in women, gender bias in perceptions of magic and enchantment, and the value of the nubile nymph over the tempestuous termagant. The normalcy of male dominance likely drives the resolution of the plot, in which Elsa learns to wield power in a non-threatening manner. In addition to having implications for gender roles, Frozen also portrays a mélange of gender symbolism through Elsa's snowmen creations, which function as an expression of the storm of controversy surrounding the subversion of binary conceptions of gender. In the end, Frozen serves as a cautionary tale about the dangers inherent in an unattached female as the ultimate potentate. This content analysis suggests that the film reflects fears surrounding the maelstrom of societal changes including expanding fertility options and the re-conceptualization of gender identity-pressing issues likely to sustain Frozen's relevance.
Female villains, both fictional and real, are subject to unconscious gender bias when part of their iniquity involves the disruption of male authority. Disney’s most popular animated villain, Maleficent, from Sleeping Beauty (1959) and Elizabeth Holmes of the now-disgraced blood testing startup, Theranos, reveled in their power, deviating from idealized feminine propriety. An analysis of scenes featuring Maleficent, the “mistress of all evil”, and coverage of Elizabeth Holmes, once the first self-made female billionaire, illustrate how powerful women with hubris are censured beyond their misdeeds. Elizabeth Holmes’ adoption of a deep voice and other masculine characteristics parallels Maleficent’s demeanor and appearance that signal female usurpation of traditional male power. Both antagonists also engage in finger pricking that penetrates the skin and draws blood, acts associated with symbolic male potency. The purported ability to bewitch, in conjunction with the adoption of patterns associated with male dominance, suggest that Maleficent and Elizabeth Holmes wield power over men and wield the power of men. Discomfort with the way in which magical powers were allegedly employed by these women echo historical fears of witches accused of appropriating male power. Furthermore, powerful women who encroach on male authority but ultimately fail to upend the gender hierarchy trigger schadenfreude beyond that expected from their wrongdoings. In the end, the stories of Maleficent and Elizabeth Holmes celebrate the downfall of women who brazenly embrace power, without showing women how to challenge the gender hierarchy.
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