Headshot portraits are a popular subject in photography but to achieve a compelling visual style requires advanced skills that a casual photographer will not have. Further, algorithms that automate or assist the stylization of generic photographs do not perform well on headshots due to the feature-specific, local retouching that a professional photographer typically applies to generate such portraits. We introduce a technique to transfer the style of an example headshot photo onto a new one. This can allow one to easily reproduce the look of renowned artists. At the core of our approach is a new multiscale technique to robustly transfer the local statistics of an example portrait onto a new one. This technique matches properties such as the local contrast and the overall lighting direction while being tolerant to the unavoidable differences between the faces of two different people. Additionally, because artists sometimes produce entire headshot collections in a common style, we show how to automatically find a good example to use as a reference for a given portrait, enabling style transfer without the user having to search for a suitable example for each input. We demonstrate our approach on data taken in a controlled environment as well as on a large set of photos downloaded from the Internet. We show that we can successfully handle styles by a variety of different artists.

Figure 1: Given a single input image (courtesy of Ken Cheng), our approach hallucinates the same scene at a different time of day, e.g., from blue hour (just after sunset) to night in the above example. Our approach uses a database of time-lapse videos to infer the transformation for hallucinating a new time of day. First, we find a time-lapse video with a scene that resembles the input. Then, we locate a frame at the same time of day as the input and another frame at the desired output time. Finally, we introduce a novel example-based color transfer technique based on local affine transforms. We demonstrate that our method produces a plausible image at a different time of day. AbstractWe introduce "time hallucination": synthesizing a plausible image at a different time of day from an input image. This challenging task often requires dramatically altering the color appearance of the picture. In this paper, we introduce the first data-driven approach to automatically creating a plausible-looking photo that appears as though it were taken at a different time of day. The time of day is specified by a semantic time label, such as "night".Our approach relies on a database of time-lapse videos of various scenes. These videos provide rich information about the variations in color appearance of a scene throughout the day. Our method transfers the color appearance from videos with a similar scene as the input photo. We propose a locally affine model learned from the video for the transfer, allowing our model to synthesize new color data while retaining image details. We show that this model can hallucinate a wide range of different times of day. The model generates a large sparse linear system, which can be solved by off-the-shelf solvers. We validate our methods by synthesizing transforming photos of various outdoor scenes to four times of interest: daytime, the golden hour, the blue hour, and nighttime.

Given a stereo pair it is possible to recover a depth map and use that depth to render a synthetically defocused image. Though stereo algorithms are well-studied, rarely are those algorithms considered solely in the context of producing these defocused renderings. In this paper we present a technique for efficiently producing disparity maps using a novel optimization framework in which inference is performed in "bilateral-space". Our approach produces higher-quality "defocus" results than other stereo algorithms while also being 10 − 100× faster than comparable techniques.

We explore whether we can observe Time's Arrow in a temporal sequence-is it possible to tell whether a video is running forwards or backwards? We investigate this somewhat philosophical question using computer vision and machine learning techniques.We explore three methods by which we might detect Time's Arrow in video sequences, based on distinct ways in which motion in video sequences might be asymmetric in time. We demonstrate good video forwards/backwards classification results on a selection of YouTube video clips, and on natively-captured sequences (with no temporallydependent video compression), and examine what motions the models have learned that help discriminate forwards from backwards time.

Photographers take wide-angle shots to enjoy expanding views, group portraits that never miss anyone, or composite subjects with spectacular scenery background. In spite of the rapid proliferation of wide-angle cameras on mobile phones, a wider field-of-view (FOV) introduces a stronger perspective distortion. Most notably, faces are stretched, squished, and skewed, to look vastly different from real-life. Correcting such distortions requires professional editing skills, as trivial manipulations can introduce other kinds of distortions. This paper introduces a new algorithm to undistort faces without affecting other parts of the photo. Given a portrait as an input, we formulate an optimization problem to create a content-aware warping mesh which locally adapts to the stereographic projection on facial regions, and seamlessly evolves to the perspective projection over the background. Our new energy function performs effectively and reliably for a large group of subjects in the photo. The proposed algorithm is fully automatic and operates at an interactive rate on the mobile platform. We demonstrate promising results on a wide range of FOVs from 70° to 120°.