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Previous studies have demonstrated that motor control of segmental features of speech rely to some extent on sensory feedback. Control of voice fundamental frequency (F0) has been shown to be modulated by perturbations in voice pitch feedback during various phonatory tasks and in Mandarin speech. The present study was designed to determine if voice Fo is modulated in a task-dependent manner during production of suprasegmental features of English speech. English speakers received pitch-modulated voice feedback (+/-50, 100, and 200 cents, 200 ms duration) during a sustained vowel task and a speech task. Response magnitudes during speech (mean 31.5 cents) were larger than during the vowels (mean 21.6 cents), response magnitudes increased as a function of stimulus magnitude during speech but not vowels, and responses to downward pitch-shift stimuli were larger than those to upward stimuli. Response latencies were shorter in speech (mean 122 ms) compared to vowels (mean 154 ms). These findings support previous research suggesting the audio vocal system is involved in the control of suprasegmental features of English speech by correcting for errors between voice pitch feedback and the desired F0.

How fast speakers can change pitch voluntarily is potentially an important articulatory constraint for speech production. Previous attempts at assessing the maximum speed of pitch change have helped improve understanding of certain aspects of pitch production in speech. However, since only "response time"--time needed to complete the middle 75% of a pitch shift--was measured in previous studies, direct comparisons with speech data have been difficult. In the present study, a new experimental paradigm was adopted in which subjects produced rapid successions of pitch shifts by imitating synthesized model pitch undulation patterns. This permitted the measurement of the duration of entire pitch shifts. Native speakers of English and Mandarin participated as subjects. The speed of pitch change was measured both in terms of response time and excursion time-time needed to complete the entire pitch shift. Results show that excursion time is nearly twice as long as response time. This suggests that physiological limitation on the speed of pitch movement is greater than has been recognized. Also, it is found that the maximum speed of pitch change varies quite linearly with excursion size, and that it is different for pitch rises and falls. Comparisons of present data with data on speed of pitch change from studies of real speech found them to be largely comparable. This suggests that the maximum speed of pitch change is often approached in speech, and that the role of physiological constraints in determining the shape and alignment of F0 contours in speech is probably greater than has been appreciated.

This paper reports the development of a quantitative target approximation (qTA) model for generating F(0) contours of speech. The qTA model simulates the production of tone and intonation as a process of syllable-synchronized sequential target approximation [Xu, Y. (2005). "Speech melody as articulatorily implemented communicative functions," Speech Commun. 46, 220-251]. It adopts a set of biomechanical and linguistic assumptions about the mechanisms of speech production. The communicative functions directly modeled are lexical tone in Mandarin and lexical stress in English and focus in both languages. The qTA model is evaluated by extracting function-specific model parameters from natural speech via supervised learning (automatic analysis by synthesis) and comparing the F(0) contours generated with the extracted parameters to those of natural utterances through numerical evaluation and perceptual testing. The F(0) contours generated by the qTA model with the learned parameters were very close to the natural contours in terms of root mean square error, rate of human identification of tone, and focus and judgment of naturalness by human listeners. The results demonstrate that the qTA model is both an effective tool for research on tone and intonation and a potentially effective system for automatic synthesis of tone and intonation.