This essay examines the sociocultural mechanisms which preserved the Jewish ethnic identity in Yemen over the centuries. The Jewish community of Yemen existed continuously as an ethnic minority for over 1,500 years, dating back to the mid-fifth century and ending with the establishment of the state of Israel, when the Jews were declared persona non grata by the Yemeni government and were forced to leave en masse in 1948 (Ratzaby 1978).
This issue demonstrates the potential and unique contribution of visual anthropology to deepening and expanding anthropological knowledge with historical, artistic, cultural and political perspectives. Describing and analysing historical events, daily social life and the arts, the articles offer original interpretations of human experiences and social processes that are part of the Middle East reality, in the past and present. Some authors suggest striving to establish ethnic, cultural and national identities goes hand in hand with struggles for civilian rights and socio-economic equality. Using illustrations and a feminist analysis, other authors reflect on women’s marginalisation in the arts and in the historiography of this region. The use of visual materials, highlighting similarities among divergent communities, entails an optimistic view about the potential contribution of arts to break through fundamental dividing features.
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