Taking into account the long history and wide range of Confucian Studies, this book introduces Confucianism - initiated in China by Confucius (551 BC–479 BC) - primarily as a philosophical and religious tradition. It pays attention to Confucianism in both the West and the East, focussing on the tradition's doctrines, schools, rituals, sacred places and terminology, but also stressing the adaptations, transformations and new thinking taking place in modern times. Xinzhong Yao presents Confucianism as a tradition with many dimensions and as an ancient tradition with contemporary appeal. This gives the reader a richer and clearer view of how Confucianism functioned in the past and of what it means in the present. A Chinese scholar based in the West, he draws together the many strands of Confucianism in a style accessible to students, teachers, and general readers interested in one of the world's major religious traditions.

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This article is to examine the way of harmony that is initiated in the Analects of Confucius, and further elaborated in the other three of the Four Books. It will argue that the Confucian harmony is a philosophy defining the relation between the self and the other and among the elements of the unity, that it is a way of living and behaving that leads to modesty and flexibility, and that it is a moral process starting from the self and reaching the Middle Way. It concludes that the way of harmony is not only theoretically important for Confucian philosophy but also practically significant for Chinese culture because it later became central to the doctrinal foundation on which all philosophical schools operated.

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Along with the revival of Confucian values among East Asian intellectuals since the 1980s, the question of Confucian identity has been repeatedly raised. The traditional identities of Confucianism and Confucians are being challenged. A new inquiry into Confucian identity is necessary because how to de ne Confucianism is now taken not only as a question of how to read history, but also as an issue of how to understand current and future reality. The central concern of this paper is with the question of how the modern transformation of the tradition has fundamentally changed the parameters that used to be of importance to de ning Confucian identity and with the dilemma which modern Confucians face in searching for a new identity. The paper is intended to promote a critical examination of various directions taken to re-establish Confucian identity in modern times.

This article is to examine the way of harmony that is initiated in the Analects of Confucius, and further elaborated in the other three of the Four Books. It will argue that the Confucian harmony is a philosophy defining the relation between the self and the other and among the elements of the unity, that it is a way of living and behaving that leads to modesty and flexibility, and that it is a moral process starting from the self and reaching the Middle Way. It concludes that the way of harmony is not only theoretically important for Confucian philosophy but also practically significant for Chinese culture because it later became central to the doctrinal foundation on which all philosophical schools operated.

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